“What fresh new hell is this?” You might rightfully ask upon seeing the photo below. Okay, sure YOU might not ask this, however these were the exact words that came to mind when I set up my sewing machine yesterday afternoon, only to realize that when I traded in my Bernina 880, which was plagued with problems, for my 790, I didn’t realize I was getting a sewing machine that has a smaller throat and therefore my Koala Cabinet insert would no longer fit it. So I did what any sensible person would do, I gerry-rigged it and here we are. It’s in the “it will have to do for now” category.
I know, I know. But sometimes one has to make do. And of course the bigger question that all of you are asking is, “Why?” Not why did you trade in your Bernina 880, because it was an amazing machine and I loved it, when it was working, the problem was, about 60% of the time it wasn’t working properly. In the three years that I owned it, I had to take it in for repairs more than a dozen times. Once we even sent it back to Bernina and had them fix it, only to have another problem a few months later. So eventually I said, “enough!” and traded it in for this sleek, beautiful thing. Only I didn’t do my homework and just assumed the 790 had the same wide throat that I loved about the 880. And as I rarely sew on a machine these days, I haven’t spent much time using it until now, that is. Which leads me to the more pressing “why?” as in “Why is your sewing machine out and where are all of your threads and hand stitching?????”
Should I have led with that? Yeah, probably, but then my first question wouldn’t have worked and I wasn’t willing to let that go. 😳 So, here’s the thing… I signed up for one of my friend, Pat Pauly’s workshops that I’ve always wanted to take. Seriously for several years, I’ve been wanting to take her “Take Two” workshop and then I saw that she had added one to her schedule, so I signed up. And today is the first of the two-day workshop, which I’m really, really looking forward to. The thing about Pat is that she’s just so much fun. Seriously, the woman could make cleaning out a gutter seem like a blast and you’d feel as though you were lucky to be able to do such a thing with her guiding you. So this workshop is guaranteed to be a fun two days, even if it means that I had to clear my table of all evidence that I’m really a hand stitcher. Do you think the ill fitting machine is a give away? Never mind. I’m sure no one will notice.
My fabrics are pulled and ready for me to do some damage.And this is a tiny window into where I shoved all my beloved hand stitching threads, needles and other things…More threads stashed…
And then, of course, there’s the whole mess that I’m not even going to photograph and show you, but suffice it to say that for the next two days, I’ll be knee deep in fabric and sewing on a sewing machine. I’m just hoping I don’t trip over the little piles of hand stitching stuff that I’ve wedged into various corners of this already small room.
On a separate note, if you haven’t watched my A Spring Stroll in New York City’s Meatpacking and West Village video, go take a walk with me. I included old photos of some of the places I visit to show what they looked like back when I first moved to NYC, as well as lots of stories about my ill spent youth in New York City. I can say that now that I’m over 60.
I have a couple pieces I’m working on simultaneously at the moment. One is a piece I began for my Improvisational Stitching Workshop. We are having SO much fun! As I was working on it, I decided to do a video on one way I like to create organic looking shapes. That video is premiering at 1pm EDT today, so if you’re around, come join me as I will be watching with you and can chat as we watch. Typically I go online a few minutes prior to the release time so that I can chat with anyone who is waiting. The Premieres are lots of fun and a way to connect with each other.
Another piece that I’m working on is what I thought was going to be a Stitch Along and then got stuck and decided to play around with a few different ideas before I committed one way or the other. That piece is just beginning to take shape. So far so good. I talk about it and begin working on it a little in the video below.
And then finally I’ve got another improvisational stitching piece that I’m just beginning and that is much larger than what I have done before. It measures about 44″ x 36″. So exciting!
In other news we continue to steam ahead on my website, which we’re hoping will be up and running by the end of this month. And I’ll be adding some fun workshops, a newsletter and lots of other things, so stay tuned!
By the way, that silk scarf I’m wearing in the photo at the top of this post? Yup, that one. It’s made by my friend Pat Pauly, who does the most gorgeous work. If you aren’t familiar with Pat’s work, go over to her website. She’s fabulous!
I’ve been busy. My Zoom class: Making Waves ~ A Drawstring Bag, which was an eight week “stitch along” is concluding today. We had SO much fun! I cannot show the finished bag in this post, but I will in next week’s post when I will also launch it in my Etsy Shop. Very exciting. Oh, okay, here’s a sneak peak…
Then a couple weeks ago my friend Pat Pauly sent me some amazing hand dyed linens that she did and I was just astounded once again by her artistry. She does such beautiful work! If you have any interest in learning how to paint, stencil and mono print fabric consider taking one of her fabulous workshops. She is a terrific instructor and has a great sense of humor. Her workshops are a blast.
This one I began stitching on. I admit I was a little apprehensive at first because I didn’t want to ruin the beauty of her work, so I just added a few wool shapes and did a tiny bit of stitching in one small area using a 3 wt Soft Cotton. I will continue working on this one and may add one of the above pieces to it. Who knows!?
Oh, and did I mention how much I love Pat Pauly’s silk scarves, which she hand-dyes and sells? I wear one every day. Seriously. That’s not an exaggeration. In the YouTube Video – A Snowy New York City that I posted on Tuesday I’m wearing one and pretty much any other video I’ve posted in the past few months you can see me wearing one of them. I have a few. Okay, in truth, I have SIX. I know, I know. I totally have this under control, I promise. I do. Really.
In the above photo I’m wearing one of Pat’s silk scarves wrapped around three times AND my brand new glasses, which, wow, what a difference!! (I promised my mother a photograph of my new glasses. So here you go, Mom AND you’ll be pleased to know I’m drinking lots and lots of water. I love you.❤️)
I think about art all the time: the process, the way life impacts it… Wondering about how other people will see it, whether they will approve, like or dislike it, is the biggest buzz kill to creativity that I know of. But, I find, silencing those worries often difficult. The best steps I know to do is to dive in head first, and just go for it.
This last year has been one of exploration, diving in head first and going for it. Â If any of you are on Instagram, I post my works in progress almost daily. Â Below are three projects I finished this past year. Â I have four more in the works, but nowhere near completion.
This first is titled: Wandering Through the Past and was inspired by the International Folk Art Museum in Santa Fe, New Mexico where I went for one of Sue Spargo’s fabulous workshops put on by Madeline Island School of the Arts. As I wandered through the museum much of the work felt oddly familiar. I remembered that my grandparents had honeymooned in Santa Fe & much of the furniture in their Colorado home came from that part of the world. As I designed this quilt, I began adding things from my childhood spent in Northern California with parents who collected modern & primitive art. Wandering Through the Past was thus born using wool, cotton, velvet & silk, & embellished with a wide variety of threads and stitches.
Wandering Through the Past
The next one is a complete departure from the one above in that most of the fabrics were hand dyed, hand painted, using stencils, screen printing and mono printing, and is not representational. Â All techniques I learned from the talented Pat Pauly in a workshop I took last April at the Pro Chem studio. It was the first time I’d ever tried my hand at improvisational piecing. Â I free motion quilted it following the general shapes and paint strokes.
Reflections
And this last one I began designing with the idea that I would use an old skirt from my mother. After a few weeks of struggle, I pulled out some of my hand dyed, Shibori, stencil printed, wax resist, silk screen & low immersion dyed fabrics. The fabric from the old skirt was pushed aside to make way for my hand dyed fabrics, which I then began piecing together with a few commercial prints. “Hope” was very bossy right from the start; demanding I use this or that fabric, slashing & piecing, reconfiguring… Mostly I just had to get out of the way & listen to its demands.
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