Quilts!

Quilts!

Remember those “If You Give a Mouse a Cookie” books?

This is my version of that…

If you show a girl a quilt, she’s going to wonder how it’s made.  When she wonders how it’s made, she’s going to take a Block of the Month class to see how  it’s done.  Once she’s signed up for the class, she’s going to begin making a quilt herself.

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Center Block from the Flower Pots Quilt Designed By Kim McLean

When she starts to make a quilt herself, she’s going to think about how she can make it uniquely hers.

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Detail of one of the Center Blocks

When she begins to make it uniquely hers, she’s going to incorporate all the stitches she learned in the Craftsy class given by Sue Spargo that she wrote about a few weeks ago on the post, Change.

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Detail from Flower Pots side panel

Once she begins adding all those stitches she learned…

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Almost finished Flower Pots Quilt!

she’s going to want to start designing her own blocks…

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Rhino Block designed and stitched by Ariane Zurcher

…which will lead her to a two-week Artist’s workshop retreat.

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The artist’s retreat will be life transforming and will give her all kinds of ideas for new pieces that she wants to design and create…

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Manhole Cover at Onondaga Community College

While she marvels at all the things she’s seeing and learning she will be reminded of other things she’s already working on…

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Detail from Flower Pot Quilt Border

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One of those things will be manhole covers!  Who doesn’t love manhole covers and if you love manhole covers, wouldn’t a quilt inspired by them be even more fabulous?!

So it’s probably best to give a girl her first quilt while she’s still very young so she has plenty of time to learn and do all of this!

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Merlin overseeing the work.

Coming next week: pots!   Not flower pots as in the quilt, but real pots, thrown pots, hand painted pots… gotta love pots!

Quilts!

Expressing Life Through Art

I just returned from a two week long artist’s workshop, where I studied with the fabulous and fabulously talented artist, Rosalie Dace for five days, followed by five days with another fabulous and extremely talented artist, Lorie McCown.  The workshops are part of the Schweinfurth Art Center‘s yearly summer program –  Quilting by the Lake, also known as QBL.  Though there is now no lake, there was one at the place they first began doing these workshops more than thirty years ago, and not everything produced is quilted, though it depends on the workshop you signed up for.

Here’s a run down of my time at QBL.

Day 1 of Rosalie Dace’s Workshop entitled Skin Deep:  Panic! and the realization that perfectionism is creativity’s executioner.

By the end of the first day I have a couple of ideas, but am definitely struggling.

An idea

The seed

Day 2: I begin repeating something Rosalie had written on one of the large boards propped up on one of two easels in front of the class.  “DON’T PANIC!”  This becomes my mantra for the rest of my time at QBL.

Day 3:  I hate everything I’ve created thus far and have the rude awakening that my expectations are a killjoy.  Around the middle of day 2 and into day 3 Rosalie encourages me to use machine stitching, which definitely pushes me out of my comfort zone.  I proudly show Rosalie the machine stitching I’ve done (and am devising ways I will hide it after showing her) she applauds my efforts and then drops a bomb by suggesting I add two more lines of machine stitching so for every one line there are now THREE and a little part of me dies inside.

This was what I had done by the end of Day 3, beginning of Day 4.  People would wander by and remark, “Ohh, pretty” or “oh the beach!  I love the beach” or just, “water!”  It was around this time that I came up with the title:  “It’s deeper than you think” and then proceeded to muddy those serene waters by incorporating many of Rosalie’s great suggestions.

Pretty

Day 4:  Go with the flow.  I’m a fiend and machine stitch everything I can get my hands on.  I am one with my Bernina and life is good.

While working on the “It’s Deeper than You Think” piece I begin playing with the other study, which began with a cream colored background.  I decide I have to lose the brown fabric, it’s a sink hole and is bringing everything down, including me.  It morphs into this, with sticks and stones and leaves that I found on my way to class that morning.  I entitle it, “And Yet, You Are Here”  (I will refrain from explaining the title as I trust all of you to come up with your own interpretations!)

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Day 5: I finish the “It’s Deeper Than You Think” piece and reflect on all that I learned, not just technique, but about art and the making of it, and was reminded of the often painful process and cycle of creating.  Whatever genius idea I have, usually showing up in my mind at some absurd hour in the middle of the night, loses it’s luster by daylight.  By afternoon I’ve decided it’s the worst idea I ever had and by evening I’m questioning the meaning of everything.  Needless to say this usually spirals down into a kind of personal horror, like a set list with all the songs you’ve ever hated that randomly play loudly on a loop.  Relief comes in the middle of the night with yet another stroke of genius and the cycle begins again.  But, as Rosalie reminded me more than once, “It’s okay.  Don’t panic.”  And with that mantra in mind, I can sit with the discomfort and “keep swimming.”

It’s Deeper Than You Think

It's Deeper than You Think

Rosalie is a force, brilliant, funny, kind, welcoming, encouraging and oh so very talented.  It was an honor to be in her class.

I had the weekend to play before I began Lorie McCown’s class called “Connections.”

A brief summary of Lorie’s fantastic  5-day workshop.

Day 1: I got this.  I’m an old pro at this point and nothing is going to phase me.  Lorie mentions that machines are optional and encourages us to use hand stitching (I promptly ignore her), immediately decide I’m going to resurrect (with Lorie’s okay) the other piece I started in Rosalie’s class, “And Yet, You are Here” and machine stitch the whole thing.  Lorie encourages us to think out of the box, explore materials we otherwise might not have thought of.  I’m open to this idea, particularly as I’ve already given my inner rebel some freedom.  She shows us examples of her work that are powerful, emotionally laden and visually compelling.   I decide I’m going to use paper and maps and whatever else I can get my hands on that evoke the title – “And yet, you are here.” Remember I am now one with my Bernina. All is well.

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Day 2:  I’m not going through the angst I experienced the week before, so things are coming along nicely.  Lorie is terrific, gives lots of encouragement and suggestions and wonders aloud whether I might “go bigger” and then asks, “What do you think?”  I’m totally on to her, but do “go bigger,” because, well, why NOT go bigger? and anyway I’ve already demonstrated my anarchistic streak by ignoring her whole hand stitching thing.

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Day 3: I announce that I’m thinking of using silk ribbon and Lorie suggests I use it as a way to tie in the idea of “And yet, you are here” by tacking it down in various places and then bringing all the various ribbons to the “X” so they converge.  I love this idea and dive into my silk ribbon stash.

Lorie discusses various backing options. I decide, since I don’t have the canvas I’d prefer, I’ll back my piece in wool, which I have a great deal of. Still very little hand stitching, almost everything is machine stitched because I’m clinging to my whole – I’m a rebel – schtick.

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Day 4: I’m letting “And Yet You Are Here” simmer for a few days and decide to begin working on a version of another idea I had in Rosalie’s class.

This is what it looked like in Rosalie’s class.

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And then I added to it.

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In Lorie’s class I took this concept and did this.

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Which then became this

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Day 5:  I can be a rebel with hand stitching too!  The night before, I worked until 10PM and was in class by 7:30AM.  I’m determined to work in some of my ideas for this piece – holes and slashes with stitching around them.  The piece now looks like this… it’s still a work in progress, I intend to do much more stitching on it and you’ll notice I hand stitched everything on this piece.  I’m calling it – “Life #1” and am thinking of making a series. Lorie’s all over the “series” idea, which you can see if you visit her website, and I encourage you to!

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A few close ups

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Thanks to Quilting by the Lake, the Schweinfurth Art Center, Rosalie Dace and Lorie McCown, but more than anyone I am forever grateful to my husband, Richard Long, who said when I broached the idea of going away, “Absolutely, you deserve it.” And when I asked, “Are you sure?” He didn’t hesitate, “I got this,” he said.  I know how much he had to do so that I could go.  What a great guy!   And what an amazing twelve days I’ve had!

Quilts!

Homeschooling, Crafts, Design and the Joy of Learning

Last May we pulled our daughter, Emma from school and began homeschooling or non-schooling or… I’ve written more about all of this on the other blog, the one I share with my daughter:  Emma’s Hope Book.  One of the many benefits of homeschooling, aside from the huge relief and plummeting stress level, is that we get to explore, together and separately.  The beauty in exploring is that the goal is to be curious and discover.  There’s no right or wrong and there’s tremendous comfort in that. The entire process of learning becomes one of joy and experimentation without the burden or stress of feeling one should know something before having learned it.

So it was, some eight months ago when I sat down with Emma and asked her what she was interested in learning about.  She typed that she wanted to learn German and take a ceramics class among a number of other things.  So we bought Rosetta Stone for German and Emma began taking pottery lessons at a nearby ceramics studio.  Her teacher, seeing my obvious excitement and interest, asked if I might like to make some things too.  I eagerly said, “Yes, please!”

Learning anything new is full of experimenting, exploring, tweaking, practicing and refining techniques learned.  To dive into something you’ve never done before can be daunting, but only if you are comparing your work to another’s.  Particularly crushing is if you expect you will be able to produce something that is of similar expertise as someone who has been studying and refining their technique for decades.  The exhilaration comes with the process of learning, practicing and improving.  But so often we are not taught that this process is wonderful at all.  In fact, we are taught that it is hard work and the end product, only produced after years of practice and toil, is all that is of value.  Everything else pales in comparison.

I disagree.

This cereal bowl that Emma made for me is perfect for walking while eating.  It has an indentation that perfectly fits one’s thumb while cupping the bowl in your palm.  Why hasn’t anyone designed a bowl like this?  I’ve never seen one before, but oh, how I love it.  This is my new, favorite bowl.

My favorite Cereal Bowl made for me by Emma.

My favorite cereal bowl made for me by Emma.

The platter below?  “It matches” was what Emma typed in reply to my exclamation that I thought it perfect for serving cheese and crackers or maybe a brioche en croute with fresh baguette.

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Emma’s Platter

This bowl that Emma made used cookie cutters and then she painted after joining all the shapes.

An Autumn Bowl

An Autumnal Bowl

A few months ago, or maybe it was years, (this is an aspect of getting older, the years feel like months, yet another example of that saying people tell you when you first become a parent – the days are long, the years are short)  I asked Emma if she had any interest in learning to knit.  She said she did, and as I love knitting (I wrote about some of that “here“) and used to design knitwear, I thought we’d start with something simple, like a scarf.  Emma chose a light blue yarn.  After a couple of tries, she lost interest and so I began making a long scarf using an alternating knit 2, purl 2 pattern.  I rarely use knitting patterns or cooking recipes for that matter, but that’s another post.  Anyway the scarf began like this.

Light blue Scarf in alternating Knit 2, Purl 2 Pattern with Navy Blue Chenille infinity scarf in the background.

Light blue scarf in alternating Knit 2, Purl 2 pattern with the beginning of a navy blue chenille infinity scarf in the background.

The finished scarf ended up measuring 87 inches in length and 11 inches wide.   What you don’t see is the other side where I changed my mind after an inch or so and decided to make the pattern more elongated.

The Finished Scarf

The Finished Scarf

This is the edge where I began knitting and decided to change the stitch.  Three times.  The final stitch pattern is a Knit 2, Purl 2 for three rows and then Purl 2, Knit 2 for 3 rows and repeating for the remainder of the scarf.

The I-Changed-My-Mind-Edge

The I-Changed-My-Mind-Edge

I’m hoping Emma will try knitting again sometime, but in the meantime, I’ve started a couple of other projects, one is this deep blue chenille yarn that I’m knitting, using a newly learned brioche stitch, into an infinity scarf for a friend.

The makings of an infinity scarf using a brioche stitch

The makings of an infinity scarf using a brioche stitch

And finally this is one of my ceramics projects.

Pebbles in a Plate

Pebbles in a Plate

For those familiar with my jewelry, this may remind you of something else…

Ariane Zurcher Jewelry - B26 Lotus Collection - 18 Kt Brushed Yellow Gold, 25.08 ct Pink Topaz, 2.69 ct Pink Sapphire, 12 ct Tourmaline, 2.96 ct Aquamarine, 17.21 ct Mandarin Garnet, 4.03 ct African Paraiba

Ariane Zurcher Jewelry – B26 Lotus Collection – 18 Kt Brushed Yellow Gold, 25.08 ct Pink Topaz, 2.69 ct Pink Sapphire, 12 ct Tourmaline, 2.96 ct Aquamarine, 17.21 ct Mandarin Garnet, 4.03 ct African Paraiba

Reflection

Reflection

Reflection

Reflection

Brushed Silver & Aquamarine Brooch ~ Ariane Zurcher Jewelry

Sometimes what’s reflected is easier to see than the thing being reflected.  I wrote about this and the nature of  progress on my other blog, Emma’s Hope Book the other day.

EHB is the blog where I write about being a parent and autism and how my daughter has helped me see the world differently.  It’s ironic that her neurology, the thing so many believe to be a massive deficit – autism – has shown me a world far more beautiful than I ever dreamed or believed possible.

Reflection is like that sometimes.  We see things in a reflection that we might have missed were we to look directly.  Art and inspiration are like that too.

I took this photograph in Central Park this July 4th.  Had you asked me what the weather was like I would have told you – clear blue skies and hot, hot, hot.

“Hot town, summer in the city
Back of my neck getting dirty and gritty
Been down, isn’t it a pity
Doesn’t seem to be a shadow in the city”

Lyrics: Lovin Spoonful

Yet, I would have been wrong.

Where Does Inspiration Come From?

Where Does Inspiration Come From?

Francois Stahly Sculpture

18 Kt Brushed Gold & 42 ct Green Aquamarine Ring

Inspiration…  One of the most common questions I’m asked is – “Where do you get your inspiration?”

I hear it so often, I made a separate page on this blog entitled, Life, which is a collage of images of the people, places and things that inspire me.

Francois StahlyI grew up in a house filled with abstract art, both modern and primitive.  My father was a curator of pre-Columbian and African Art at the Stanford Museum.  He and my mother collected art spanning many cultures and time periods.  Our house was often frequented by artists and art dealers from all over the world.

One of my favorite pieces was this wooden sculpture, now on the ranch where my mother lives, in Colorado.  It is by a friend of my parents, Francois Stahly.  Both Francois and my father had Swiss roots and had lived in Paris.  In the 70’s Francois Stahly came to visit us and I remember he and my father sitting outside together, speaking French, at our ranch style home in Northern California, as the fog receded back toward the Pacific Ocean over the foothills.

Nature, art, paintings, sculpture…  different languages, different cultures, diversity…  this is what inspires me.

This is what makes me happy…  Today I live in New York City.  A city known for its diversity.  The same things that enthralled me as a child, continue to excite and fascinate me now.

Spring Blossoms on the Highline

Ariane Zurcher Jewelry - The Lotus Collection - 18 Kt Brushed Gold, Amethyst & Ruby Earrings

Ariane Zurcher Jewelry – The Lotus Collection – 18 Kt Brushed Gold, Amethyst & Ruby Earrings

One of my favorite New York City haunts is the Highline.  I even made a Pinterest Board devoted entirely to it.  I love seeing the old rusting tracks of the elevated freight train disappear into native grasses and spring flowers.  The juxtaposition of natural beauty with man-made invention, abandoned, aging and transformed by time and life.