I’ve been busy. My Zoom class: Making Waves ~ A Drawstring Bag, which was an eight week “stitch along” is concluding today. We had SO much fun! I cannot show the finished bag in this post, but I will in next week’s post when I will also launch it in my Etsy Shop. Very exciting. Oh, okay, here’s a sneak peak…
Then a couple weeks ago my friend Pat Pauly sent me some amazing hand dyed linens that she did and I was just astounded once again by her artistry. She does such beautiful work! If you have any interest in learning how to paint, stencil and mono print fabric consider taking one of her fabulous workshops. She is a terrific instructor and has a great sense of humor. Her workshops are a blast.
Oh, and did I mention how much I love Pat Pauly’s silk scarves, which she hand-dyes and sells? I wear one every day. Seriously. That’s not an exaggeration. In the YouTube Video – A Snowy New York City that I posted on Tuesday I’m wearing one and pretty much any other video I’ve posted in the past few months you can see me wearing one of them. I have a few. Okay, in truth, I have SIX. I know, I know. I totally have this under control, I promise. I do. Really.
In the above photo I’m wearing one of Pat’s silk scarves wrapped around three times AND my brand new glasses, which, wow, what a difference!! (I promised my mother a photograph of my new glasses. So here you go, Mom AND you’ll be pleased to know I’m drinking lots and lots of water. I love you.❤️)
There was a show at the David Lewis Gallery that my husband and I recently went to, which absolutely stunned me. It was one of those exhibits that takes your breath away. A solo show by the artist Thornton Dial. I walked in with no expectations and left profoundly moved. It was a visceral response to a work that brought me to tears. The jarring juxtaposition of discarded carpeting, remnants of fabric staple gunned down and then painted over with house paint and spray paint was exhilarating to see. There’s a rawness to the work, an immediacy, and yet the pain, the tragedy of life, the turmoil as well as the joy and beauty are all invoked.
This piece is in the entrance and the last thing you see before leaving.
If you’re interested in learning more about this amazing artist, you can watch The Art of Thornton Dial.
As this post’s title suggests, there’s a little something for everyone, but let’s start things off with Fiber Talk!
In December I was interviewed by Gary Parr and Beth Ellicott for their podcast Fiber Talk, also available on their Youtube channel, Flosstalk. We had such a great time covering a whole variety of different topics including inspiration, finding your voice, color, color theory, art, choosing threads, improvisational stitching and life in general. Fiber Talk just released our conversation Sunday, so go have a listen. We had such a good time and I hope you will too!
You know things are difficult when my mother sends me several videos within a few days of each other. This is something she started doing when COVID hit hard this past spring in an effort to cheer all of us up. I’ve been posting many of the things she sends on this blog ever since. This last week I was the lucky recipient of THREE wonderful videos from her. The most recent is from the New York Philharmonic, a performance of Joni Mitchell’s “Both Sides Now.”
Another was this, which is particularly hilarious because many of my descendants are German and this sort of humor is exactly what we have often noticed and commented on.
Finally there’s this, which is just an amazing and beautiful example of creativity and where it can take us. If you don’t like the colored lighting shots, skip ahead to around the five minute mark and look at the other absolutely spectacular work made.
There are so many things going on that I cannot talk about publicly for a variety of reasons, but all of these things piled up can make life feel particularly challenging at this moment. The specifics are unimportant. Most people are grappling with things they cannot and do not talk about for personal reasons. What I do know is that staying calm in the midst of it all, certainly helps. In addition, I remind myself to take time to appreciate all that I have.
Which reminds me of the story about the man who is being chased by a tiger. There is a cliff straight ahead and all other escape routes are cut off to him. He must make a choice – get eaten by the tiger or jump off the cliff to his certain death. So he does what any reasonable person would do, he jumps off the cliff, but on the way down he grabs hold of a shrub growing out of the cliff’s sheer face. As he hangs on for dear life he notices a single flower growing from the shrub. He marvels at the beauty of this flower while clinging to what few moments he has left of his life as his grip loosens.
This isn’t how the real story actually goes, there are a number of variations to it, though the central theme remains the same – what do we do, how do we behave when things get tough? The above story is how I reconstructed the original Zen story, which features a strawberry and not a flower. My interpretation isn’t about the importance of staying present or the inevitability of death, though both are worthy topics to discuss. To me this is about how we behave in the face of adversity. We think of life as going on endlessly. When excitedly awaiting something, the minutes pass slowly, however our lives are just seconds when compared to the history of mankind. We are all going off the cliff to our deaths eventually, but on our way down, how do we behave? In the face of adversity, can I still marvel at the beauty of this life and the planet I’ve been fortunate enough to occupy while looking for an alternate way to descend the cliff without plummeting to a gruesome death on the sharp rocks below?
When things are tough can I remember to be curious and explore despite everything else that’s going on?
When creating a new project there are a few themes that crop up over and over. One of them is this idea that there is always more going on below the surface. One of my first pieces that I designed, I put a large metal zipper in to signify that what looks like a pretty garden has more going on. Another one of my pieces I entitled, “It’s Not What You Think”.
Bringing this idea into one’s art is something I continue to explore. The layers of the human experience, the depths to which we can delude ourselves, but also the honesty with which we can examine our experiences and hopefully learn from them is the fertile ground we can explore as we create. During this time of uncertainty, with the pandemic raging, the virus mutating, the constant and seemingly relentless drama in the United States, not to mention the myriad personal challenges most of us face, can I still see beauty in this world? Can I still create inspite of it all?
Often referred to as a negative, I’ve always thought of obsessions as a lifeline to exploration, creativity, joy and boundless energy. Being obsessed with something (rather than someone) results in any number of truly awe-inspiring things, such as these artists who carve thread spools into amazing miniature works of art.
Or Andrea Love whose website is filled with animations that she creates using felted wool.
How does one work through the fear that inevitably arises when creating if one isn’t obsessed with whatever it is you’re working on? I love creative, obsessive people (and thankfully so does my husband!)
My latest hand stitched piece began as a challenge for myself – Pick a fabric that is on top of the pile and do something with it. And so it began. The fabric that lay before me is a color I find problematic. It’s a kind of pinkish, salmon flesh tone. There’s nothing wrong with the color, it just isn’t a color that speaks to me, particularly. But I had set myself up with a challenge and so I was determined to see where it took me. That was in the beginning of November.
I began playing around, trying different threads and thread weights adding texture in the form of hand dyed cheesecloth, wrapped wooden beads, etc. At one point in a moment of desperation I took some pastels and just painted right over the fabric and the stitching. Gasp! I know. I know. Sometimes taking drastic measures is exactly what’s needed, though.
And slowly, very, very slowly it began to take shape. There were plenty of moments when I thought – well, worse case scenario I’ll just use this piece to demonstrate various things, including what to do when you don’t know what to do or how to proceed!
But I kept at it and eventually began seeing things I liked, as opposed to all the things I didn’t. And once that happened, I began to turn a corner with this piece. However were it not for the fact that I’m obsessed with hand stitching, creating and designing, there’s no way I would have stuck it out. This piece would have been put into a corner and forgotten about. I credit my obsessiveness, dogged determination and perseverance as the reason that didn’t happen.
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