2020: A Year in Photographs
Happy New Year!
The Joy of Obsession
Often referred to as a negative, I’ve always thought of obsessions as a lifeline to exploration, creativity, joy and boundless energy. Being obsessed with something (rather than someone) results in any number of truly awe-inspiring things, such as these artists who carve thread spools into amazing miniature works of art.
Or Andrea Love whose website is filled with animations that she creates using felted wool.
How does one work through the fear that inevitably arises when creating if one isn’t obsessed with whatever it is you’re working on? I love creative, obsessive people (and thankfully so does my husband!)
My latest hand stitched piece began as a challenge for myself – Pick a fabric that is on top of the pile and do something with it. And so it began. The fabric that lay before me is a color I find problematic. It’s a kind of pinkish, salmon flesh tone. There’s nothing wrong with the color, it just isn’t a color that speaks to me, particularly. But I had set myself up with a challenge and so I was determined to see where it took me. That was in the beginning of November.
I began playing around, trying different threads and thread weights adding texture in the form of hand dyed cheesecloth, wrapped wooden beads, etc. At one point in a moment of desperation I took some pastels and just painted right over the fabric and the stitching. Gasp! I know. I know. Sometimes taking drastic measures is exactly what’s needed, though.
And slowly, very, very slowly it began to take shape. There were plenty of moments when I thought – well, worse case scenario I’ll just use this piece to demonstrate various things, including what to do when you don’t know what to do or how to proceed!
But I kept at it and eventually began seeing things I liked, as opposed to all the things I didn’t. And once that happened, I began to turn a corner with this piece. However were it not for the fact that I’m obsessed with hand stitching, creating and designing, there’s no way I would have stuck it out. This piece would have been put into a corner and forgotten about. I credit my obsessiveness, dogged determination and perseverance as the reason that didn’t happen.
The joy of being obsessive.
The Personality of Color
I think of color as having personality. I get a sense of colors much the way I get a sense of people at a dinner party. There are those who dominate the conversation, others who are quiet, yet have really interesting things to say once encouraged. Some people light up when seated next to someone they enjoy or are able to bond with, others prefer to ask questions and listen, but however they behave, all are interacting with each other in different ways. Color is similar.
I did a Youtube video, Choosing Thread Colors a few months ago, but as I’m always thinking about color and since color is such a huge component of how I design, I thought I’d talk about it a bit more.
When I was at Parson’s we had semester long classes on the topic of color and color theory and while I’m grateful to know some of the basics such as cool vs warm, tint, shade, tone, etc, I also think it’s important to know what colors speak to you specifically. If someone tells you, green is a soothing color, which for many people it often is, but you happen to hate green, incorporating a great deal of green in your piece may cause you to not love the finished product.
I’m all about diversity. I want my eye to travel from one place to another. I want to see different things the longer I look. I like pattern, but I don’t want to focus only on pattern. I want to see things beyond pattern. I love curved shapes, but appreciate angular shapes as well. It’s the same with color. I try to listen to the colors I’m choosing and then make decisions on what I’m hearing. What I mean by that is if I’m working on a piece that has a really bossy color such as bright red (think of it as yelling at you, “Look at ME!”) then I’m going to think about what colors I can use around it. Now maybe I want that red to do all the talking and everyone else will be listening. Then I might use a lot of neutrals, maybe a bit of black somewhere, I might add something else, but I’m not going to add another bossy color to drown the red out. I want the red to stand out. On the other hand, if I don’t want the red diva to dominate, then that’s going to change what other colors I choose. But the point is I’m listening. I’m looking. I’m observing and then I’m making my decisions based on what I’m hearing.
I love warm colors: Red, Orange, Yellow, but also love cool colors: Blue, Green, Purple. And once you start combining them you can come up with a wonderfully, fascinating mix of personalities and conversations!
A Commitment to Show Up
I’ve been thinking about relationships a lot. Perhaps that’s because I’m coming up on my 20th wedding anniversary with this awesome man. Our relationship has seen its ups and downs, but we are committed to doing the hard work of showing up for each other no matter how painful and difficult that may be. As a result we have entered into, what I think of as, our golden years together. I love this man more today than those first few years when we met and decided to have children together. I am well aware of how fortunate I am, it helps that he is as committed as I am, and is also funny, smart, kind, thoughtful, complicated, a great dad, a great friend and all around amazing human being.
Or maybe I’m thinking about relationships because it’s the holiday season when we typically fly to Colorado to visit my mother and sister, but because of the pandemic are unable to do so or maybe it’s because this year has thrown a couple of relationships into stark relief. I have had to come to terms with the fact that a few were not what I thought and others that have only reaffirmed how wonderful they are. I’m grateful for the lessons I’ve learned from both.
I’ve mentioned before that my husband and I start the morning reading something, usually something philosophical or a meditation of some kind. This morning’s reading began with a quote:
There are two equally dangerous extremes – to shut reason out, and to let nothing else in.
Blaise Pascal
When I’m stitching the magical moments come when things just flow from one idea to the next – easily, magically. But there are other moments when everything I stitch feels wrong. Color is often at issue. If my base color is one that I don’t find particularly appealing, then everything I subsequently do can feel off simply because the base color isn’t one that speaks to me. The trick is finding the magic even then.
As many of you who follow me on Youtube know, I’ve been struggling with my latest improvisational piece. It uses a flesh-colored hand dyed piece of linen as its base, and it’s been problematic for me since I took that first stitch. Still, I’m determined to continue, if for no other reason than as an exercise in working through the myriad issues that are coming up for me. And what I’m learning is that if I’m committed to something, really committed, I am willing to have the difficult conversations, I’m willing to hang in there even when things get problematic, I’m willing to keep showing up. And when I do that, something magical always happens. (Of course if we’re talking about two people then BOTH people have to be willing. It won’t work if only one person is willing and the other isn’t.)
With the piece shown above, this is the magical moment that occurred a few days ago. I don’t know that it’s enough to shift this piece from an exercise, into something that I’m able to fully embrace, but I’m getting there and I’m going to keep showing up for it and see what happens!
Stitching with Gimp and a lot of Laughter
If you’d like to laugh and explore stitching (or in my case attempting to) with silk gimp and the thicker gimp that Painter’s Threads hand dyes, this was the live stream I did yesterday. Warning: We laughed A LOT.
My attempts at using the crinkly silk gimp became more comedic than informative… However, I am determined to continue investigating this beautiful, if challenging thread, and what I’m able to do with it. So this is just the beginning. By the way Mary Corbet, who is a fountain of knowledge when it comes to threads, stitching, and everything and anything to do with embroidery, is such a great resource. If you click on her name above, it will take you to her blog. She also has a YouTube Channel, where she demonstrates stitches.
So here’s the thing… I am a designer first and foremost. I love playing with threads and seeing how I can use an unusual thread in a different way. My approach to hand stitching is from a design point of view. When I’m working with a thread, like gimp, whether the crinkly silk gimp or the thicker cord Gimp from Painter’s Threads, I am thinking about color, texture, and how I can use it so that it creates something interesting. As I design, I’m considering size, shape, dimension and how all of that fits into the piece I’m working on.
For my River Rocks Pouch, I used all three of these gimps in different ways. A couple of the shapes on that pouch I added gimp French Knots, which I love.
I’m off to the last remaining quilt shop in New York City in a little while. I’ll be filming it, and will post tomorrow morning. So if you want to come with me on my little adventure, tune into my Youtube Channel Ariane Zurcher ~ On the Other Hand tomorrow. Until then, here’s to exploring and stitching!
Sleepless In New York City
On yet another night of sleeplessness I decided it was high time I found out where the whole – count sheep and fall asleep – idea originated. Which, oddly, led me to the discovery of Goats Parkour and the fact that sea otters love to eat sea urchin, which, as facts go, is kind of interesting, particularly at 3am and, anyway, who doesn’t love sea otters?
While googling – “the origins of counting sheep” I learned that this was something shepherds did before going to sleep in Medieval times, but a 12th century fable refers to counting sheep in the Middle East, suggesting this has been going on for awhile now. The article then ends with this sobering thought,
“Origins aside, the practice is an awful sleeping aid.”
https://www.mentalfloss.com/article/58192/why-do-we-count-sheep
Which, I have to admit, kind of took the wind out of my sails. The final sobering sentence of the piece speculated, “Maybe that’s why Don Quixote preferred goats.” Which took me to this… I know, I know…
Watching this last YouTube video made me reconsider my whole, I’ll-start-exercising-again-once-this-whole-pandemic-is-behind-us thinking and so I got up and did some exercises. All of this was done before 4am and I’d just like to interject that New York City, despite the pandemic, is busy at 4am. I know this because I see all the lights on in buildings viewed from our living room windows, but I digress and anyway, my point being that you can cram a LOT of things into the early morning hours if you’re strategic about it.
While exercising, my mind immediately leapt to otters, because that’s where the mind goes at 3:30am while exercising in a semi-dark living room in Manhattan. That’s when I discovered the first video I posted, thus ending my short-lived-newly-discovered-exercise-routine, which, okay, you really can’t call it a “routine” when you do it only once, even though your intention is to do it daily, but never mind.
So then I began designing a new project, which turned into TWO new projects, because that’s the way I think – if one is good, two will be even better and anyway it’s not even 5am – the first features an otter and some sea urchins, and the second features mandalas, because otters can only be upstaged by mandalas in my opinion, though otters AND sea urchins are a hard act to follow. Still, undaunted, I plunged onward.
I also decided that I would video tape the makings of both projects, so that I will have, not just written instructions, but videos as well. By the way if you have any interest in either project please take the poll I embedded in yesterday’s tutorial, I would love your opinion.
All of this brings me back, full circle, to sleeplessness… I have no answers, though I read that counting your breath, as opposed to sheep, can be helpful, but then, when would I find the time to get all the things I want to do, done?! That was rhetorical.
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