I know, I know. You’re wondering if you stumbled upon the wrong blog. You’re thinking – what has she done? Where are all her beautiful threads that I so covet? What’s going on around here?
Never fear. My threads, and everything else hand stitching related, are all, somewhat, neatly stacked on the floor out of view and then not so neatly shoved into various corners, like just to the left of my sewing machine.
It kind of reminds me of Santorini where there’s one view that one can capture by photograph that is exquisite and magical and just beyond beautiful, like a fairy tale, really.
But then, if you turn just a little, you get a very different view where things aren’t quite so glistening and white, there’s garbage, the houses aren’t all pristine, and the land isn’t landscaped, but rugged and without flowers.
That’s what my studio looks like right now. There’s only one shot where everything is neat and tidy. Everything else is pretty haphazard.
The reason for all of this is that I’m taking a 2-day workshop with my friend, Pat Pauly, who is fabulous and a really wonderful teacher! I’m not much of a quilter, so this is definitely a stretch for me, but I love her work and she’s pretty terrific, so here I am, preparing for her workshop, which will begin in just a couple of hours.
Pat Pauly is also the one who sent me this piece of linen, which I’m working away on…
I’ve always worked with my hands. As a child it was embroidery with a hoop and sewing my own clothing. At around nine years old my mother taught me to knit, then there was a brief macrame obsession in the 70’s where I decorated my bedroom with intricately knotted macramé pot hangers into which I hung plants of various kinds. Later, when living in LA I worked for a tailor and watched how he would transform yards of material into the most elegant suit and was taught how to assist. Hollywood’s finest came to him.
Later is was fashion design, draping was particularly appealing because you could manipulate the fabric to hang in interesting ways on the human body, and then I began designing knitwear. Jewelry design and learning to solder and manipulate metals of various kinds, then hand stitching and now textile art, improvisational stitching, and all along the way there were forays into other things such as origami, painting, collage, throwing clay onto a wheel; always there’s been something to occupy my hands.
And then this morning I saw the following on my facebook feed:
“Grandma how do you deal with pain?”
“With your hands, dear. When you do it with your mind, the pain hardens even more.”
“With your hands, grandma?”
“Yes, yes. Our hands are the antennas of our Soul. When you move them by sewing, cooking, painting, touching the earth or sinking them into the earth, they send signals to the deepest part of you and you calm down. This way she doesn’t have to send pain anymore to show it.”
Are hands really that important?”
“Yes my grandchild. Think of babies: they get to know the world thanks to their touch. When you look at the hands of older people, they tell more about their lives than any other part of the body. Everything that is made by hand, so it is said, is made with the heart because it really is like this: hands and heart are connected. Think of lovers: When their hands touch, they love each other in the most sublime way.”
“My hands grandma… how long since I used them like that!”
“Move them my love, start creating with them and everything in you will move. The pain will not go away. But it will be the best masterpiece. And it won’t hurt as much anymore, because you managed to embroider your essence.”
By: Elena Bernabe of the wall of San Arte
Our hands. A friend of mine told me that she met a man who could tell the age of anyone who came to him. She said he didn’t look at her face or her eyes or her body, he looked at her hands, held them in his and then announced her age accurately.
This past week has been filled with medical emergencies of one kind or another. Not mine, but those I love. So far everyone is either stabilized or we hope they will be soon, for which I am grateful. So what better way to respond to the fear that comes with people we love going through medical horrors?
Silliness and laughter.
This one from my mother (I always love getting the things my mother sends) is more sweet than silly. I’m so impressed with this little girl who clearly has Celtic blood running through her veins! Have I mentioned that my husband descends from Vikings? Not the war waging, marauding, raping and pillaging ones, but the farmer, seafaring adventurer, music and dance lover ones. Can you pick? I just did. And anyway what do the celts have to do with the vikings, you might ask? Well, probably other than culturally influencing each other, intermarriage and the like, not much, but this is the way my brain works. Welcome.
And then there are these photographs that my sister-in-law sent, which are just too funny and fabulous.
In another life I want to be a travel photographer so that I can have animals climbing all over me. It’s important to clarify – non human animals, like a cheetah sidling up to me or a tiger cub or a baby gorilla… Okay, whatever.
My husband and I read and contemplate a philosophical reading of some kind every morning. Every now and then there is one that is so helpful it stays with me, like this one from The Daily Stoic:
“A long To-Do list seems intimidating and burdensome – all these things we have to do in the course of a day or a week. But a Get to Do list sounds like a privilege – all the things we’re excited about the opportunity to experience.”
Yesterday I was again reminded of this powerful reading as I sat waiting for my husband to be released from what we both had thought would be a minor surgical procedure. Until it wasn’t. Until things went wrong. Until this minor medical procedure turned into an all day long nightmare for him. A day in which I kept saying to myself, because of modern medicine he gets to have this procedure done, no matter how awful it is. Because of the times we live in, we get to call a car in 95 degree heat and have someone drive us to where we need to go. When stuck in traffic we get to consult WAZE and take the most expeditious route. And while waiting in the waiting room I get to have uninterrupted hours of stitching to calm my nerves.
He is home now and recuperating, for which I am extremely grateful. A big thanks to all of you who reached out to me and wrote such nice comments in my Stitching Circle.
And now I get to go do some work with my daughter and then I get to do a whole lot more stitching on my current project!
Someone commented on my Youtube channel about messiness, saying that she was happy my work area isn’t pristine as that would be intimidating. And it made me think about the various stages of messiness.
The gradient scale of messiness, because this is important.
1. Kind of “messy”, but it’s not a problem and anyway to my mind, this is actually incredibly neat. Everything has its place, I know where things are, it’s easy to work on my current project and all is well with the world.
2. Okay, okay, things are getting “messy” but really it’s all subjective and yes, I’m having trouble finding things, but nothing I can’t handle. Besides, I’m working here and a certain degree of messiness is to be expected and even necessary.
3. Messy is to some, what neat is to others, I tell myself, and I’m working and anyway I just grab whatever is easiest and closest and call it a “prompt”. However if I’m being honest it’s starting to be a problem and I can’t find things I want to use, though I will never admit this out loud.
4. The tipping point: things have gotten out of control. I know it, in my heart, but I still continue to work, despite the mess, because the work takes priority and anyway I know what happens once I start “cleaning” things up. Still this has gotten beyond “messy” and I’m spending more time looking for things than actually stitching.
5. Clearly something has to change. I can’t even find the piece I’m working on and so resolve to clean everything up… tomorrow.
6. A thorough cleaning is done. I carefully put things in places that seem reasonable and make sense to me at that moment. It’s all so neat and tidy, I hardly know where to start!
7. My work area is clear of everything but the piece I’m working on, only now I can’t find anything and spend hours looking for things that I knew were “just over there”.
8. Begin ripping the place apart in search of various much needed items.
Repeat steps 1-8.
You’ll be relieved to know I’m currently hovering at around a 3. Totally doable!
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