The Dorset Buttons Workshop was a huge success! As a result I am doing another and have added a Dorset Button II workshop for those who’ve completed the first and/or feel they have a working knowledge of how to make a traditional Dorset Button.
Dorset Buttons Gone Wild Workshop: Wednesday, March 24th 2-5pm EDT. $60. This includes a recording of the entire 3-hour class that you can refer to whenever and as often as you like.
This 3-hour workshop includes making a basic Dorset Button, various ways to start a new thread if your thread runs out at any point along the way, including while wrapping the ring. Adding different threads to make the spokes, as well as how to make the whipped woven center. We will then be adding french knots/colonial knots/drizzle stitches and Bullion Knots/Cast-On Bullion Knots around the outer edge. This workshop is hands on, and will take you through each step of making a Dorset Button for both left handed and right handed stitchers.
The second workshop is:
Dorset Buttons Gone Wild Part II: Wednesday, March 31st 2-5pm EDT. $60 This includes a recording of the entire 3-hour class that you can refer to whenever and as often as you like.
This workshop is for those who’ve already taken the Dorset Buttons Gone Wild Workshop and/or have a good working knowledge of how to make a basic Dorset Button. We will NOT be going over the basics, but instead will be going rogue, incorporating all kinds of other materials as well as changing the way we make the spokes so that you can make “tree-like” Dorset Buttons, as well as more abstract looking buttons.
For those of you who are interested in either workshop you must send payment via Paypal, Venmo or Zelle using my email address: ariane@arianezurcher.com and be sure to specify which class you’re signing up for. Be sure to tell me which you are signing up for or if you’re signing up for both, so I can reserve your spot. For those of you who live outside the United States, I accept personal checks, but you will need to tell me so that I can give you the necessary information.
Traditional Dorset Button leaving the ridge on the outer edge.
Once everyone had mastered that, we moved on to adding stitches such as french knots, a drizzle stitch and bullion knots and cast-on bullion knots around the outer edge.
A traditional Dorset Button with Cast-On Bullions around the outer edge. Using beads and buttons.A Dorset Button like this one will be covered in the Dorset Button II workshop.More Dorset Buttons Gone Rogue!
If you’re interested in either or both workshops, please leave me a comment or reach out to me via email to ensure you have a spot reserved.
For both classes you will need some rings, of any size, but to begin use the ones that are around 1/2″ or so as they will be quicker to wrap than if you start with something that’s over 1″ in diameter. For the Advanced class any size ring will work. Have threads of various weights and types on hand. I suggest both a #18 and #24 Chenille Needle, a tapestry needle in those sizes will work too, as well as a #3 and #1 Milliners needle for making wrap stitches.
I am doing a new 5-day workshop! Improvisational Stitching!
But what does that mean, exactly? Well funny you should ask, because I’ve given it a great deal of thought. Improvisational Stitching is what I call what I do when I begin with a piece of fabric, usually a piece of hand dyed linen, with no preconceived notion of what I’m going to do other than follow the striations in the fabric and begin stitching. I don’t sketch anything out, I just begin stitching.
This is a new piece that I haven’t had time to do much with. Right now it’s just a few stitches, but eventually it will become more.
Over time the piece develops and I begin adding other elements. Sometimes I’ll add other materials, other times that means painting directly onto the fabric and even over the stitching, as I did with my piece, Perseverance.
Do you see how I painted over the green ribbon floss and then covered that area with the hand dyed cheesecloth?
Eventually the piece takes on a life of its own and then it’s up to me to follow as best I can.
Olea began as a 14″ by 16″ piece of olive green hand dyed linen. I started stitching and adding things, like the hand painted t-shirt strips to the left.
Eventually it became this, which I titled, “Olea” but my friend Anna Bates called, “After the Wedding”.
Olea: Hand dyed Linen/Cotton blend with cotton, silk, wool, sheep’s silk threads, ribbon, t-shirt & cheesecloth This is my latest piece that I haven’t even begun stitching on, but will be soon with hand dyed t-shirt, cheesecloth and tulle.
Improvisational Stitching is so much fun! There are no rules, nothing is forbidden, anything goes. I absolutely love it!! Which leads me to the workshop I’m doing: Improvisational Stitching!
Have you ever wanted to create an improvisational piece, but felt too intimidated to start? This is the workshop for you!
We begin with a hand dyed piece of linen, loosely woven cotton or wool. I suggest starting with a piece that isn’t too large – say 14” x 16” or smaller. It can be a square or a rectangle. Choose a color that you love for the background. It can be any color, just make sure you LOVE it! If you want to piece a background together, you can also do that.
This is a “hands on” workshop, in other words, everyone will be working and creating during the workshop with me cheering you on. Using a wide variety of threads, and other materials, we will embellish with no preconceived ideas. I will hold your hand, encourage you to explore and try new things. Each week you will be given a challenge to expand and add to your piece. This is a dive-into-the-deep-end workshop. We will have a blast. All levels of stitchers are welcome. You will not be alone. I will be with you every step of the way.
Workshop Length: 5 Saturdays from 1pm – 4:30pm EDT
I’m doing a Dorset Buttons Gone Wild 3-hour Workshop via Zoom. (It will be recorded and uploaded to YouTube, but will only be available to view if you have purchased the workshop. You can reference the entire workshop later or whenever you like once the workshop is over.)
When: A 3-hour workshop: Saturday, March 20th from 2-5pm EDT
Cost: $40.00 – I accept payment by check, through Zelle, Venmo or Paypal using my name: Ariane Zurcher and email address: ariane@arianezurcher.com. Tell me in the comments how you are paying so that I can make a note of it.
The workshop is limited to 30 people, first come, first serve. I have 19 spots left, so reserve your spot now!
What you’ll need and what you can expect:
Have at least a few rings to make the Dorset Buttons: https://amzn.to/2PyqNH3 whatever size you like and a couple different threads. I recommend 3 wt and 5 wt threads to begin and then a few specialty threads such as 4mm silk ribbon, Aurora, Oriental Linen, Soft Cotton, or whatever else you might like to try. For the first couple you might want to use some thread you have lying around that you don’t care about to practice.
#18 Chenille needle and/or #24 Chenille depending on the thread weight you want to use. A tapestry needle will work as well, and you will also need a Milliners Needle so that you can experiment with making some wrapped stitches on the Dorset Button. We are thinking out of the box, so think about what else you might want to add!
I will demonstrate a number of different variations on the traditional Dorset button, incorporating lots of different materials and threads that I think you’ll find exciting and different! You will have completed at least one or two Dorset Buttons by the end of the workshop. ❤️
*Optional: For those of you who are really adventurous, I suggest purchasing, if you haven’t already, my glasses case and/or scissor’s case. If you choose to go this route, prep the linen, with the lighter color linen wave and whipstitch on the wool circles as the instructions describe, so that you are ready to apply your Dorset Buttons to the wool shapes. I embellished the background as you can see below. If you are signed up for the workshop and would like to embellish as I have, let me know in the comments and I will send you instructions.
Glasses Case and Scissor Case with background prepped, using the same background embellishments I used for Making Waves: A Drawstring Bag
Don’t forget to leave me a comment that you want to reserve your space and then proceed to payment.
Later today I am doing a livestream on what to do with those odd looking Silk Cocoons. A lovely follower of mine sent me one a few months ago and I put it aside, not sure what to do with it. Then someone in my Facebook group: Ariane Zurcher Stitching Circle asked what does one do with such an interesting and weird looking thing. I replied that I had no idea, but I had one sitting next to me, still in its little bag. Another helpful soul then suggested (dared me) that I do a livestream demonstrating. So I am, because I can’t let a dare suggestion like that go unheeded. If you’re curious, tune in today at 1pm EST.
I don’t know about you, but I absolutely love making Dorset Buttons. And like so many things that I fall in love with, I went head first down the Dorset Button Rabbit Hole and have yet to reemerge! So much so that I just taped and uploaded another Dorset Button video, which will be premiering later today.
Last summer I made my first Dorset Button video, but this winter I decided to make another, slowed down version, and then did another that is a deep dive into the dorset button and variations to it. That video is available to all my patrons who are on my Patreon page. It covers: how to secure your dorset button once you’ve created one. What to do if your thread runs out in the middle of making one, how to make all of the variations shown above, like the tree and creating stitches on the outer rim and using different threads and thread weights. So much fun!
The Dorset Button popular in the 1600’s was replaced by machine made and mass produced buttons in the 1800’s. However many of us who love to hand stitch also love the dorset button. It is not only a fully functioning button, it is also decorative and therefore can be used in a variety of ways. For my mother’s Making Waves: A Drawstring Bag (which I just sent to her yesterday) I used almost a dozen dorset buttons to embellish it. I love how it turned out, and hope she will too.
For my next design, I’ve been playing around with lots of different ideas and one of those ideas is how to use the largest plastic rings I have with some variation of the Dorset Button. I haven’t figured it out yet, but I’m going to keep playing and see what I come up with.
In the meantime, here are a few more close ups of some Dorset Buttons I’ve made in the last few weeks.
Yesterday I launched my latest design, Making Waves: A Drawstring Bag in my Etsy Shop! I also made a short video for it. My instructions are very, very detailed. I include everything from how to begin, to how to stitch this bag together and film all stages of the process. YouTube videos demonstrate every step so you can follow along. Each video is embedded within the instructions using Hotlinks. As I spend, literally, hundreds of hours video taping, editing and posting each video before embedding it within the instructions, my downloadable patterns are a bit more expensive. Not much. A little. People tell me they are well worth it.
This project began as a Stitch Along with a group of 17 hand stitchers who signed up for the class, which took place over Zoom. Over the course of 8 weeks we stitched this bag together and had a blast doing so.
A couple of people have asked me whether I will be doing this class again, so if you’re interested let me know as I will do it again, if there’s enough interest. The Zoom classes consist of eight one-hour classes although I would be open to doing a five-day workshop with classes running a 3-4 hours each. You can use your own threads or opt for a thread kit. If you choose a thread kit I will need to order in advance and we will have to wait until everyone has theirs to begin. This can take anywhere from one to two months, depending upon availability of the threads and how many people want kits.
I am also beginning a new design, which will be another Stitch Along, meaning that I will be designing this project as we go! What’s fun about that is that each week I unveil a new part of the design, which is fun and exciting. Once I have the basic background concept designed, I will post more about it. Right now I’m in the midst of throwing a lot of different ideas around and seeing which one I like best as well as determining which will make the most sense to add a lot of embellishing to it. As with the Making Waves design, I will be incorporating a great many different techniques and materials, such as hand dyed t-shirt scraps, hand dyed cheesecloth, wool roving, Dorset Buttons, beading, ribbon work and other fun things like that.
Dorset Buttons in the Background of Making WavesHand-dyed and Ruched CheeseclothHand -Dyed t-shirt
There are so many things going on that I cannot talk about publicly for a variety of reasons, but all of these things piled up can make life feel particularly challenging at this moment. The specifics are unimportant. Most people are grappling with things they cannot and do not talk about for personal reasons. What I do know is that staying calm in the midst of it all, certainly helps. In addition, I remind myself to take time to appreciate all that I have.
Which reminds me of the story about the man who is being chased by a tiger. There is a cliff straight ahead and all other escape routes are cut off to him. He must make a choice – get eaten by the tiger or jump off the cliff to his certain death. So he does what any reasonable person would do, he jumps off the cliff, but on the way down he grabs hold of a shrub growing out of the cliff’s sheer face. As he hangs on for dear life he notices a single flower growing from the shrub. He marvels at the beauty of this flower while clinging to what few moments he has left of his life as his grip loosens.
This isn’t how the real story actually goes, there are a number of variations to it, though the central theme remains the same – what do we do, how do we behave when things get tough? The above story is how I reconstructed the original Zen story, which features a strawberry and not a flower. My interpretation isn’t about the importance of staying present or the inevitability of death, though both are worthy topics to discuss. To me this is about how we behave in the face of adversity. We think of life as going on endlessly. When excitedly awaiting something, the minutes pass slowly, however our lives are just seconds when compared to the history of mankind. We are all going off the cliff to our deaths eventually, but on our way down, how do we behave? In the face of adversity, can I still marvel at the beauty of this life and the planet I’ve been fortunate enough to occupy while looking for an alternate way to descend the cliff without plummeting to a gruesome death on the sharp rocks below?
When things are tough can I remember to be curious and explore despite everything else that’s going on?
When creating a new project there are a few themes that crop up over and over. One of them is this idea that there is always more going on below the surface. One of my first pieces that I designed, I put a large metal zipper in to signify that what looks like a pretty garden has more going on. Another one of my pieces I entitled, “It’s Not What You Think”.
Bringing this idea into one’s art is something I continue to explore. The layers of the human experience, the depths to which we can delude ourselves, but also the honesty with which we can examine our experiences and hopefully learn from them is the fertile ground we can explore as we create. During this time of uncertainty, with the pandemic raging, the virus mutating, the constant and seemingly relentless drama in the United States, not to mention the myriad personal challenges most of us face, can I still see beauty in this world? Can I still create inspite of it all?
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