Pain, Grief and Showing up Anyway

Pain, Grief and Showing up Anyway

So here’s the thing…  I feel a whole lot better when I show up even when I feel awful, even when I feel things are rough and I’m tired, even when I don’t want to.  I’ve also learned that showing up anyway is the single best remedy for not continuing to feel that way. Except that it’s also really hard to do.  That’s the thing.  It’s really, really hard and sometimes… sometimes it feels impossible.  I know it technically isn’t, but it sure feels that way.

Marcus Aurelius wrote about pain a great deal.  And in his writings about it he consistently focusses on choice and responding, rather than reacting.  I’m a huge fan of Marcus Aurelius, not just because he was wise, but because this guy was one of the most powerful men in the world and yet he continued to do his best to remain humble, to avoid arrogance, to nurture self awareness and to treat others with respect and kindness.

So yeah, showing up anyway.  Easier said than done, so I have found ways to do so that aren’t quite so laden, that make it a tiny bit easier.  I call it setting myself up to succeed.

Here’s what I do:

  • Thread up a whole bunch of needles with different types and weights of thread.  I use both Chenille needles and Milliners Needles.
  • Grab a needle, any needle, it doesn’t matter which one, and begin stitching.  I have a couple of mindless go-to stitches that don’t require any thought.  They are the meditative stitches like french knots, bullion knots, colonial knots, seed stitch, chain stitch, fly stitch, straight stitch and then I riff on them, which means I start exploring every aspect of that stitch.  How many wraps can I make on a french knot before the whole thing begins to fall apart?  (It turns out a lot more than you might think!). What ways can I stitch a straight stitch to create different patterns?
  • Exploration
  • Investigation
  • And before you know it, I’m playing!

Stitching, more than anything, changes everything, even grief, even pain.

If you’re curious to know how I did this, I made a video about it and you can watch it here:

This Too Is Grief

This Too Is Grief

Stitch, put on the design wall, evaluate, consider, take down, add a new element, stitch, put back up on the design wall, take a photograph, consider, have an idea, take down, thread up a new color, take a chance, take a risk, take a breath, stitch and then the tears arrive.  Not a few drops at a time, but a torrent soaking the fabric and the thread I’ve just stitched.  In the midst of this I briefly wonder whether the thread colors will bleed. They say grief comes in waves.  The threads don’t bleed, I’ve learned.  At least not yet.  Stitch anyway.  Stitch through the grief.

It catches you off guard.  That’s the thing.  That’s what makes it hard.  It’s unpredictable. Erratic.  The violence of it when it arrives, unannounced, suddenly, swiftly; how do you prepare for that?

You can’t.

“How are you?” people ask.  I’m surprised because I’m just fine.  I’m busy, I’m working, I’m teaching, my old energy levels are returning, they aren’t back to what they were, but really, I’m just fine! 

“I know you had a strong bond with her” or “I know how close you two were”  or “I know…”  And the pain slams into me, taking my breath away. No, I’m just fine, I think, but I’m not.  I’m not fine.  I’m grieving.

Repetition as Habit

Repetition as Habit

“We are what we repeatedly do, therefore, excellence is not an act but a habit.”

Aristotle

I always think about repetition when I’m stitching.  Stitching a few french knots?  How about a few hundred?  And what about some bullion circles?  A whole cluster of them is even better!

Clusters of Bullion Circles

In nature repetition is a constant and often what is most striking is in the sheer repetition.

The tail of a chameleon

Or look at one of my cacti…

While in Africa I was amazed at the patterns and repetition in the Zebra

Patterns on the giraffe

If I love a particular stitch, I’ll stitch a few hundred and over time I will have mastered it.  It’s like anything.  If I want to be a kind person, then I need to practice being kind.  Even when I don’t feel like it.  Even when I’m in a hurry.  Even when it means taking a breath, stepping back from the situation, and remembering that I’ve never regretted being kind.  Never.

Repetition.

Remembering My Mother and Stitching Anyway

Remembering My Mother and Stitching Anyway

This blog is a reminder of my mother.  She was my biggest supporter and commented over the years more than anyone else. It was through this blog that I often kept in touch with her and towards the end it was the one full proof way I knew I could reach her, especially when my emails would go unanswered and my phone calls went to voicemail.  I knew she would read whatever I was posting.  Over the last few years when she could no longer speak, she would send me things that she knew I’d post here, much to everyone’s delight, because the things she sent were such fun.

Like this video:

And then there was this one that I loved:

Mostly I’m missing my mom and while I know this will ease over time, it’s still causing me to wake up many days feeling listless and kind of “blah”.  I know from other periods in my life when I’ve felt down and a loss of energy that doing the things that I don’t feel like doing are the things that often make me feel better.  It’s funny how that works. It’s counterintuitive, but if I can remind myself to do those things anyway, I’m halfway there.

It reminds me of when I was the Director of the Aspen Writer’s Conference and had organized to have Michael Crichton speak to kick off the conference.  During his talk he was spoke of a work ethic.  He was speaking of what artists, specifically writers, but it applied to anyone in the arts, often do. He said, imagine if you were an airplane pilot working for a major airline and got up in the morning and thought – you know I don’t really feel like flying today, I think I’ll sleep a few more hours. – You’d expect to be fired immediately or at the very least given a stern warning and if you tried that again, you’d be out of a job.  He then went on to ask, why do artists treat their work any less seriously?  If you’re a writer get up and write. If you’re a painter, paint and so on. The point was, our feelings don’t really matter when it comes to getting the work done.  If we think of ourselves as an artist then put in the hours and create the art, regardless of the feelings.

With that in mind I keep showing up for the work, regardless of how I’m feeling, because I create.  That’s what I do.  That’s what I’ve always done. Today is no different than any other in that way.  Yesterday I taped a video on this idea, and some of the things I do when I’m feeling low energy, which almost always comes hand in hand with doubt.

Here’s to having feelings and showing up anyway.

Controlling What You Can

Controlling What You Can

Today’s morning reading excerpt:

“While you don’t control external events, you retain the ability to decide how you respond to those events. You control what every external event means to you personally.”

The Daily Stoic

When we returned from Africa, I had a livestream scheduled for the next day and a Zoom meeting that couldn’t be rescheduled shortly after that.  As my computer had crashed and then been wiped out while in Africa, I really, really needed to get it working again or get a new computer, which is no small undertaking, especially if you’re someone like me who is basically computer illiterate and the very idea of migrating information leaves me in a cold sweat.  So I went to the nearest Apple store only to be told that basically I should hold on to the computer I had and try to migrate from my time machine. Only my time machine hadn’t backed up since last April.  WHAT????  I know, I know.  Evidently time machines need to be periodically checked to be sure they’ve backed up and do not always do so automatically.  News to me.  

So I went home and backed it up and then had endless problems resulting in tons of phone calls with various tech people, as well as realizing how much information I had lost, and then in the midst of all of this I was overcome with a combination panic attack, grief (my mother had just died) and despair; I went into our bathroom and sobbed.  To say I “cried” wouldn’t do it justice. It was more a cross between a howl and uncontrollable sobbing.

“While you don’t control external events, you retain the ability to decide how you respond to those events. You control what every external event means to you personally.”

And that was the thing. I was taking all of this personally. The computer, my mother, jet lag, grief, panic… All of it felt like an assault on me.  But it wasn’t personal. It was life. So I’m trying hard to remember that. It’s easy to remember when things are going along as I expect them to or when things happen that are unexpected, but are welcome events.  It’s much more challenging to remember when things happen that I don’t like or want.

And yet, here I am writing this post on my new laptop, which has taken some adjustments and came with it’s own set of challenges, typing away!

I’m teaching my last workshop, Improvisational Stitching, of the year and am making new Youtube stitching videos and am getting back to creating and incorporating my travels into my latest piece. I can feel my energy returning little by little.

As long as I don’t take things personally, I’ve got this.

Oh, and look!!! Remember I said I so regretted not purchasing some Kuba bark cloth while in Africa, but that I remembered there was a guy who sells African fabrics on the street?  Well over the weekend, I found him and here are the pieces I got from him.  This first was badly damaged, but I was able to repair it and even figured out and copied the stitch originally used to stitch the seams together.

Bark Cloth From The Democratic Republic of Congo

And look at this one!!  I just love the colors, all natural dyes, made in The DRC.

Kuba Cloth

And finally this one, which is by far the most typical, from what I’ve seen.

Hand Stitched Kuba Cloth made from raffia, hand dyed and sewn from the Democratic Republic of Congo

And here is my improvisational stitching piece where I’ve begun incorporating some of the things I saw and loved while in Africa using Pat Pauly hand dyed linen.

African Inspired

Mourning & Gratitude

Mourning & Gratitude

Every now and then it hits me. She’s gone. I will never see her again. I will never hold her hand with those arthritic knuckles that made them resemble gnarled tree branches, misshapen and yet beautiful. I will never get another email from her containing silly videos or stories or photos and it is during these times that I feel both overwhelming gratitude that I had a mother whom I loved deeply, and unspeakable pain that grips my throat and clenches my stomach. That she went quickly and did not suffer is something I constantly remind myself.  Still it’s tough. She was my mom. It is a loss unlike any other that I’ve experienced.

One of the most difficult things I’ve had to learn in life is to hold two seemingly opposing ideas and/or feelings and allow both to be true and valid.  I miss her and am grateful she went quickly, yet there are times when I am overwhelmed by the pain of losing her.

Mom and Richard at her birthday party

Over the years this idea of two opposing forces has taken shape; a person I love has views I hate, yet I can still love them.  Someone does something hurtful, yet I can forgive them.  I do something hurtful and so I must make amends and then do the painstaking work of learning to forgive myself. And on it goes. Two seemingly opposing things held in each hand, both are true, even though upon first look they seem to cancel each other out, they do not.  They co-exist and in that co-existence there is peace.

This is what I’ve learned.