I wanted to write this post on Saturday, February 20th, because that was exactly one year ago when I launched my first video for my Youtube Channel, Ariane Zurcher ~ On the Other Hand!
Since that day, just over one year ago today, I have made and posted 248 videos! Yesterday I did a livestream, where I’m obviously feeling quite a bit more comfortable filming and posting. I went from having 0 subscribers to 3,865 subscribers as of yesterday. I say this not to brag, but more as a mark of where I began with YouTube and where I am now. Because in this crazy time of the pandemic, when everything can feel really, really off and sad, I also want to remember some good, which means honoring my own personal little milestones.
Here in the United States we hit more than half a million dead from COVID19. It’s a grim reminder of the perilous and tragic times we find ourselves in; a time when so many of us have been unable to see those we love, whether that’s our aging parents or young grandchildren. It’s been a period marked by disconnect and fear and worry and yet, we have also made different kinds of connections. Zoom calls and classes have taken off. Who would have thought any of us would know our way around a Zoom meeting?!
Personally this has been a year of massive and intense learning. When I began my Youtube Channel I had no idea how to upload videos, make thumbnails, do livestreams or premiere a video. I also taught myself how to create a design from paper sketch, to computer, to downloadable PDF file, write instructions, and in the last 12 months I’ve posted 8 new designs in my Etsy Shop, conducted an 8-week Zoom Workshop, with another one in the planning stages, created a Facebook Group: Ariane Zurcher Stitching Circle (which has 1.2 thousand members) and a Patreon page!
And here are a few of my other designs from the past 12 months.
And along the way I began to explore what I call Improvisational Stitching.
This has been the most intense year, both incredibly sad and scary globally, as well as exhilarating and exciting on a personal level. It’s been both. I have met thousands of new people from all over the world and for that I’m so, so grateful.
So, to all of you who’ve joined me during this truly bizarre time, thank you. Let’s keep laughing and stitching! ❤️
I’ve been busy. My Zoom class: Making Waves ~ A Drawstring Bag, which was an eight week “stitch along” is concluding today. We had SO much fun! I cannot show the finished bag in this post, but I will in next week’s post when I will also launch it in my Etsy Shop. Very exciting. Oh, okay, here’s a sneak peak…
Then a couple weeks ago my friend Pat Pauly sent me some amazing hand dyed linens that she did and I was just astounded once again by her artistry. She does such beautiful work! If you have any interest in learning how to paint, stencil and mono print fabric consider taking one of her fabulous workshops. She is a terrific instructor and has a great sense of humor. Her workshops are a blast.
Oh, and did I mention how much I love Pat Pauly’s silk scarves, which she hand-dyes and sells? I wear one every day. Seriously. That’s not an exaggeration. In the YouTube Video – A Snowy New York City that I posted on Tuesday I’m wearing one and pretty much any other video I’ve posted in the past few months you can see me wearing one of them. I have a few. Okay, in truth, I have SIX. I know, I know. I totally have this under control, I promise. I do. Really.
In the above photo I’m wearing one of Pat’s silk scarves wrapped around three times AND my brand new glasses, which, wow, what a difference!! (I promised my mother a photograph of my new glasses. So here you go, Mom AND you’ll be pleased to know I’m drinking lots and lots of water. I love you.❤️)
As this post’s title suggests, there’s a little something for everyone, but let’s start things off with Fiber Talk!
In December I was interviewed by Gary Parr and Beth Ellicott for their podcast Fiber Talk, also available on their Youtube channel, Flosstalk. We had such a great time covering a whole variety of different topics including inspiration, finding your voice, color, color theory, art, choosing threads, improvisational stitching and life in general. Fiber Talk just released our conversation Sunday, so go have a listen. We had such a good time and I hope you will too!
You know things are difficult when my mother sends me several videos within a few days of each other. This is something she started doing when COVID hit hard this past spring in an effort to cheer all of us up. I’ve been posting many of the things she sends on this blog ever since. This last week I was the lucky recipient of THREE wonderful videos from her. The most recent is from the New York Philharmonic, a performance of Joni Mitchell’s “Both Sides Now.”
Another was this, which is particularly hilarious because many of my descendants are German and this sort of humor is exactly what we have often noticed and commented on.
Finally there’s this, which is just an amazing and beautiful example of creativity and where it can take us. If you don’t like the colored lighting shots, skip ahead to around the five minute mark and look at the other absolutely spectacular work made.
Often referred to as a negative, I’ve always thought of obsessions as a lifeline to exploration, creativity, joy and boundless energy. Being obsessed with something (rather than someone) results in any number of truly awe-inspiring things, such as these artists who carve thread spools into amazing miniature works of art.
Or Andrea Love whose website is filled with animations that she creates using felted wool.
How does one work through the fear that inevitably arises when creating if one isn’t obsessed with whatever it is you’re working on? I love creative, obsessive people (and thankfully so does my husband!)
My latest hand stitched piece began as a challenge for myself – Pick a fabric that is on top of the pile and do something with it. And so it began. The fabric that lay before me is a color I find problematic. It’s a kind of pinkish, salmon flesh tone. There’s nothing wrong with the color, it just isn’t a color that speaks to me, particularly. But I had set myself up with a challenge and so I was determined to see where it took me. That was in the beginning of November.
I began playing around, trying different threads and thread weights adding texture in the form of hand dyed cheesecloth, wrapped wooden beads, etc. At one point in a moment of desperation I took some pastels and just painted right over the fabric and the stitching. Gasp! I know. I know. Sometimes taking drastic measures is exactly what’s needed, though.
And slowly, very, very slowly it began to take shape. There were plenty of moments when I thought – well, worse case scenario I’ll just use this piece to demonstrate various things, including what to do when you don’t know what to do or how to proceed!
But I kept at it and eventually began seeing things I liked, as opposed to all the things I didn’t. And once that happened, I began to turn a corner with this piece. However were it not for the fact that I’m obsessed with hand stitching, creating and designing, there’s no way I would have stuck it out. This piece would have been put into a corner and forgotten about. I credit my obsessiveness, dogged determination and perseverance as the reason that didn’t happen.
I think of color as having personality. I get a sense of colors much the way I get a sense of people at a dinner party. There are those who dominate the conversation, others who are quiet, yet have really interesting things to say once encouraged. Some people light up when seated next to someone they enjoy or are able to bond with, others prefer to ask questions and listen, but however they behave, all are interacting with each other in different ways. Color is similar.
I did a Youtube video, Choosing Thread Colors a few months ago, but as I’m always thinking about color and since color is such a huge component of how I design, I thought I’d talk about it a bit more.
When I was at Parson’s we had semester long classes on the topic of color and color theory and while I’m grateful to know some of the basics such as cool vs warm, tint, shade, tone, etc, I also think it’s important to know what colors speak to you specifically. If someone tells you, green is a soothing color, which for many people it often is, but you happen to hate green, incorporating a great deal of green in your piece may cause you to not love the finished product.
I’m all about diversity. I want my eye to travel from one place to another. I want to see different things the longer I look. I like pattern, but I don’t want to focus only on pattern. I want to see things beyond pattern. I love curved shapes, but appreciate angular shapes as well. It’s the same with color. I try to listen to the colors I’m choosing and then make decisions on what I’m hearing. What I mean by that is if I’m working on a piece that has a really bossy color such as bright red (think of it as yelling at you, “Look at ME!”) then I’m going to think about what colors I can use around it. Now maybe I want that red to do all the talking and everyone else will be listening. Then I might use a lot of neutrals, maybe a bit of black somewhere, I might add something else, but I’m not going to add another bossy color to drown the red out. I want the red to stand out. On the other hand, if I don’t want the red diva to dominate, then that’s going to change what other colors I choose. But the point is I’m listening. I’m looking. I’m observing and then I’m making my decisions based on what I’m hearing.
I love warm colors: Red, Orange, Yellow, but also love cool colors: Blue, Green, Purple. And once you start combining them you can come up with a wonderfully, fascinating mix of personalities and conversations!
I’ve been thinking about relationships a lot. Perhaps that’s because I’m coming up on my 20th wedding anniversary with this awesome man. Our relationship has seen its ups and downs, but we are committed to doing the hard work of showing up for each other no matter how painful and difficult that may be. As a result we have entered into, what I think of as, our golden years together. I love this man more today than those first few years when we met and decided to have children together. I am well aware of how fortunate I am, it helps that he is as committed as I am, and is also funny, smart, kind, thoughtful, complicated, a great dad, a great friend and all around amazing human being.
Or maybe I’m thinking about relationships because it’s the holiday season when we typically fly to Colorado to visit my mother and sister, but because of the pandemic are unable to do so or maybe it’s because this year has thrown a couple of relationships into stark relief. I have had to come to terms with the fact that a few were not what I thought and others that have only reaffirmed how wonderful they are. I’m grateful for the lessons I’ve learned from both.
I’ve mentioned before that my husband and I start the morning reading something, usually something philosophical or a meditation of some kind. This morning’s reading began with a quote:
There are two equally dangerous extremes – to shut reason out, and to let nothing else in.
Blaise Pascal
When I’m stitching the magical moments come when things just flow from one idea to the next – easily, magically. But there are other moments when everything I stitch feels wrong. Color is often at issue. If my base color is one that I don’t find particularly appealing, then everything I subsequently do can feel off simply because the base color isn’t one that speaks to me. The trick is finding the magic even then.
As many of you who follow me on Youtube know, I’ve been struggling with my latest improvisational piece. It uses a flesh-colored hand dyed piece of linen as its base, and it’s been problematic for me since I took that first stitch. Still, I’m determined to continue, if for no other reason than as an exercise in working through the myriad issues that are coming up for me. And what I’m learning is that if I’m committed to something, really committed, I am willing to have the difficult conversations, I’m willing to hang in there even when things get problematic, I’m willing to keep showing up. And when I do that, something magical always happens. (Of course if we’re talking about two people then BOTH people have to be willing. It won’t work if only one person is willing and the other isn’t.)
With the piece shown above, this is the magical moment that occurred a few days ago. I don’t know that it’s enough to shift this piece from an exercise, into something that I’m able to fully embrace, but I’m getting there and I’m going to keep showing up for it and see what happens!
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