I am doing a new 5-day workshop! Improvisational Stitching!
But what does that mean, exactly? Well funny you should ask, because I’ve given it a great deal of thought. Improvisational Stitching is what I call what I do when I begin with a piece of fabric, usually a piece of hand dyed linen, with no preconceived notion of what I’m going to do other than follow the striations in the fabric and begin stitching. I don’t sketch anything out, I just begin stitching.
This is a new piece that I haven’t had time to do much with. Right now it’s just a few stitches, but eventually it will become more.
Over time the piece develops and I begin adding other elements. Sometimes I’ll add other materials, other times that means painting directly onto the fabric and even over the stitching, as I did with my piece, Perseverance.
Do you see how I painted over the green ribbon floss and then covered that area with the hand dyed cheesecloth?
Eventually the piece takes on a life of its own and then it’s up to me to follow as best I can.
Olea began as a 14″ by 16″ piece of olive green hand dyed linen. I started stitching and adding things, like the hand painted t-shirt strips to the left.
Eventually it became this, which I titled, “Olea” but my friend Anna Bates called, “After the Wedding”.
Olea: Hand dyed Linen/Cotton blend with cotton, silk, wool, sheep’s silk threads, ribbon, t-shirt & cheesecloth This is my latest piece that I haven’t even begun stitching on, but will be soon with hand dyed t-shirt, cheesecloth and tulle.
Improvisational Stitching is so much fun! There are no rules, nothing is forbidden, anything goes. I absolutely love it!! Which leads me to the workshop I’m doing: Improvisational Stitching!
Have you ever wanted to create an improvisational piece, but felt too intimidated to start? This is the workshop for you!
We begin with a hand dyed piece of linen, loosely woven cotton or wool. I suggest starting with a piece that isn’t too large – say 14” x 16” or smaller. It can be a square or a rectangle. Choose a color that you love for the background. It can be any color, just make sure you LOVE it! If you want to piece a background together, you can also do that.
This is a “hands on” workshop, in other words, everyone will be working and creating during the workshop with me cheering you on. Using a wide variety of threads, and other materials, we will embellish with no preconceived ideas. I will hold your hand, encourage you to explore and try new things. Each week you will be given a challenge to expand and add to your piece. This is a dive-into-the-deep-end workshop. We will have a blast. All levels of stitchers are welcome. You will not be alone. I will be with you every step of the way.
Workshop Length: 5 Saturdays from 1pm – 4:30pm EDT
I’m doing a Dorset Buttons Gone Wild 3-hour Workshop via Zoom. (It will be recorded and uploaded to YouTube, but will only be available to view if you have purchased the workshop. You can reference the entire workshop later or whenever you like once the workshop is over.)
When: A 3-hour workshop: Saturday, March 20th from 2-5pm EDT
Cost: $40.00 – I accept payment by check, through Zelle, Venmo or Paypal using my name: Ariane Zurcher and email address: ariane@arianezurcher.com. Tell me in the comments how you are paying so that I can make a note of it.
The workshop is limited to 30 people, first come, first serve. I have 19 spots left, so reserve your spot now!
What you’ll need and what you can expect:
Have at least a few rings to make the Dorset Buttons: https://amzn.to/2PyqNH3 whatever size you like and a couple different threads. I recommend 3 wt and 5 wt threads to begin and then a few specialty threads such as 4mm silk ribbon, Aurora, Oriental Linen, Soft Cotton, or whatever else you might like to try. For the first couple you might want to use some thread you have lying around that you don’t care about to practice.
#18 Chenille needle and/or #24 Chenille depending on the thread weight you want to use. A tapestry needle will work as well, and you will also need a Milliners Needle so that you can experiment with making some wrapped stitches on the Dorset Button. We are thinking out of the box, so think about what else you might want to add!
I will demonstrate a number of different variations on the traditional Dorset button, incorporating lots of different materials and threads that I think you’ll find exciting and different! You will have completed at least one or two Dorset Buttons by the end of the workshop. ❤️
*Optional: For those of you who are really adventurous, I suggest purchasing, if you haven’t already, my glasses case and/or scissor’s case. If you choose to go this route, prep the linen, with the lighter color linen wave and whipstitch on the wool circles as the instructions describe, so that you are ready to apply your Dorset Buttons to the wool shapes. I embellished the background as you can see below. If you are signed up for the workshop and would like to embellish as I have, let me know in the comments and I will send you instructions.
Glasses Case and Scissor Case with background prepped, using the same background embellishments I used for Making Waves: A Drawstring Bag
Don’t forget to leave me a comment that you want to reserve your space and then proceed to payment.
Later today I am doing a livestream on what to do with those odd looking Silk Cocoons. A lovely follower of mine sent me one a few months ago and I put it aside, not sure what to do with it. Then someone in my Facebook group: Ariane Zurcher Stitching Circle asked what does one do with such an interesting and weird looking thing. I replied that I had no idea, but I had one sitting next to me, still in its little bag. Another helpful soul then suggested (dared me) that I do a livestream demonstrating. So I am, because I can’t let a dare suggestion like that go unheeded. If you’re curious, tune in today at 1pm EST.
Before COVID hit I would begin the day by going to the gym, riding a stationary bike for 30 – 45 minutes, perhaps taking a 45 minute high intensity workout class before heading home. So when the gym closed I figured I’d landed on a “free space” meaning I’d start my exercise routine again once all of this was over. Most of us didn’t really anticipate that a year later we’d still be in that “free space”, which for someone like me was a welcome relief. Until now. Now I’m feeling increasingly guilty for counting as “exercise” walking to the elevator and getting our mail. So back in December I downloaded an exercise app because now that I’m in my sixties, exercise is less about wanting to and more about health and balance. So yes, I downloaded the app with high hopes and then promptly forgot that I’d done so. It was one of those “7 minute” workout apps. At the time, I thought – seven minutes? Who can rationalize out of doing that?!
Me. As it turns out.
This morning I decided to go see what Youtube had to say on the topic of exercise during these bizarre times, and I found this.
And then I ran across this old chestnut, which I’m pretty sure I’ve posted before, but in case I haven’t, here you go. Enjoy. I don’t know about you, but my life looks an awful lot like it did when we were in lockdown. I rarely leave the house. I’m more paranoid about catching COVID now than I was at the height of the pandemic. And now a variant, that they are saying may be resistant to the vaccines, has hit New York City and so I’m completely freaking out. Dancing around the house to music videos is as good as my current exercise routine is going to get. Still, I hold out hope that at some point I’ll take it all more seriously. Maybe I’ll try one of those 7 minute exercise workouts after I finish writing this. Or not.
I’m pleased to report, however, that my hands and fingers are as nimble and dexterous as ever, thanks to my daily hand stitching, um… workouts!
Later today, at 2pm (EST) my Threaded Backstitch and Double Threaded Backstitch Youtube video is premiering, so join me and we can chat as it plays! Remember, it won’t be available to play until 2pm today. And in the meantime maybe I’ll work in some squats and push ups. I’m not making any promises though.
Often referred to as a negative, I’ve always thought of obsessions as a lifeline to exploration, creativity, joy and boundless energy. Being obsessed with something (rather than someone) results in any number of truly awe-inspiring things, such as these artists who carve thread spools into amazing miniature works of art.
Or Andrea Love whose website is filled with animations that she creates using felted wool.
How does one work through the fear that inevitably arises when creating if one isn’t obsessed with whatever it is you’re working on? I love creative, obsessive people (and thankfully so does my husband!)
My latest hand stitched piece began as a challenge for myself – Pick a fabric that is on top of the pile and do something with it. And so it began. The fabric that lay before me is a color I find problematic. It’s a kind of pinkish, salmon flesh tone. There’s nothing wrong with the color, it just isn’t a color that speaks to me, particularly. But I had set myself up with a challenge and so I was determined to see where it took me. That was in the beginning of November.
The beginning…
I began playing around, trying different threads and thread weights adding texture in the form of hand dyed cheesecloth, wrapped wooden beads, etc. At one point in a moment of desperation I took some pastels and just painted right over the fabric and the stitching. Gasp! I know. I know. Sometimes taking drastic measures is exactly what’s needed, though.
And slowly, very, very slowly it began to take shape. There were plenty of moments when I thought – well, worse case scenario I’ll just use this piece to demonstrate various things, including what to do when you don’t know what to do or how to proceed!
But I kept at it and eventually began seeing things I liked, as opposed to all the things I didn’t. And once that happened, I began to turn a corner with this piece. However were it not for the fact that I’m obsessed with hand stitching, creating and designing, there’s no way I would have stuck it out. This piece would have been put into a corner and forgotten about. I credit my obsessiveness, dogged determination and perseverance as the reason that didn’t happen.
I spent at least 16 hours this weekend analyzing and stitching examples of the Trellis Stitch. Specifically the spiral trellis stitch, which was one of dozens of stitches that adorned the Plimoth Jacket, a women’s waistcoat, made in the early 1600’s.
Photograph Courtesy of the Victoria & Albert Museum
Another heavily embroidered jacket is in the costume collection at the Metropolitan Museum here in New York City, which I would LOVE to see one day.
While I have done dozens and dozens of Spiral Trellis Stitches over the years, and have used this stitch in a number of my designs, I had never tried to figure out why it was often so difficult to replicate, and to replicate consistently.
So this weekend I decided to do just that. I experimented with a couple of different ways of stitching it, how to best add a new length of thread when your thread, which it inevitably does, runs out, how to consistently get good results when decreasing, stitching in all kinds of different threads and thread weights, and I even tried my hand at stitching a non-circular Trellis, which I will need to do a bit more experimenting with before I am completely satisfied. I had to fill in the center part with French Knots because I couldn’t figure out how to decrease the inside in a way that looked flawless.
I then posted my results to my Youtube Channel: Ariane Zurcher ~ On the Other Hand.
As I am left handed all of this was even more tricky because none of the embroidery books give instructions for the way I finally ended up stitching this beautiful, yet challenging stitch.
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