In honor of International Women’s Day I am featuring four women in my life, who have influenced me the most. All four of these women are exceptional and I am deeply grateful to each of them.
The first – my grandmother, who, though I did not always have an easy relationship with, I greatly admired her joy for life, her dedication to the environment, her devotion of the arts and her philanthropy.
Second – My mother who once told me, when I asked for her advice regarding parenting, “Tell them they are loved, show them they are loved, and one day they will forgive you.” That statement embodies my mother, her sense of humor mixed with wisdom of a life well lived. My mother models generosity and a love of learning, two things I value to this day. I love her dearly and think of her every day.
My mother, Paula Zurcher, in our cabin in Colorado
Third – my sister, who also happens to be my best friend. She is one of the kindest, strongest and hardest working women I know. I admire her. I respect her. I am forever grateful for her presence in my life. Though we live far from each other, I carry her with me every single day.
My sister: Toni Photo by: John Kelly
And finally, my friend, Sue Spargo, mother, daughter, friend, artist & business woman extraordinaire. Sue’s kindness, generosity and support have meant more to me than I can express. Sue has transformed how people see “embroidery”. With her techniques and artistry she has paved the way for so many. Sue continuously strives to find new ways of approaching an art form. She has encouraged me to push beyond what I thought I was capable of, and her friendship is everything to me.
With all my free time (insert eyeroll and a sigh here), I designed another zippered pouch! This time an abstract design – Playing with Shapes and it’s a little bigger than my Rhino Pouch. This one is 14″ x 12″. It is also fully lined, has a zipper and the wool front is perfect for applique and stitching. The PDF pattern, templates and detailed instructions with tons of photos are up on my Etsy shop. Everything you need to make this, is on Sue Spargo’s website.
Other than that, I haven’t been able to design much as I’ve been spending every spare minute researching YouTube, taping, editing, re-taping, editing some more, learning how to make a decent thumbnail (I still need to work on that) adding music and then watching other people’s YouTube videos to learn even more.
I’ll admit, so much of this was new to me as of two weeks ago, but now? Talk to me about SEOs, keywords, banner art, thumbnails, end cards, playlists, analytics, reach, monetization, and did I mention that I had never edited anything on iMovie ten days ago? I now know my way around not only iMovie, but Canva, and YouTube studio, versus the older Creator Studio Classic. I’m by no means a pro, but I’m getting the hang of it. And here’s the thing, I still have SO much to learn.
My latest thumbnail and video
Some of the most successful YouTubers out there are doing tutorials on… wait for it… how to be a successful YouTuber! Now that’s irony and soooo meta! But perhaps the most surprising thing of all, is how much I enjoy making videos. I am constantly learning, but am loving the process.
I thought I would be posting one tutorial a week, but, in the last two weeks , have posted five, with one more taped, but not edited and another, in the works. Evidently you’re supposed to have a regular schedule and post at the same time and day, but right now, as I’m just getting my feet wet, I figure I’ve got time to work all of that out. My next video will be demonstrating the Bullion Knot and after that how to applique a circle.
A month ago I taught a 2-hour stitching workshop exploring shapes and stitches at my quilt guild. It was a huge success, and lots of fun! I prepared squares of wool and precut circles in different sizes. More than 20 people attended and each person got to pick a wool square and some circles, which they then whipstitched on to their wool base. As most of the participants already knew how to do some of the more basic stitches such as the Running Stitch and Backstitch, I taught how to do the Bullion Knot and a Cast On Bullion stitch. (We only had two hours) It was a lot of fun! I really, really love teaching.
Through one of the participants (who also happens to be a friend) of that workshop I was introduced to one of the owners of the last remaining quilt shop in New York City, Gotham Quilts – New York City’s Quilt Shop. It was a terrific meeting and as a result of that meeting, I will be teaching a 6-hour Creative Stitching workshop playing with shapes using many of Sue Spargo‘s techniques in April. If you’d like to sign up for it, you can, by clicking ‘here‘. The workshop is on April 25th from 11:30 – 6. Everyone will get a “kit” which will include precut circles, a wool square base, wool thread to whipstitch the shapes onto the background, needles, lots of different kinds of threads to play with, tons of Perle Cotton threads, a piece of silk velvet, some stabilizer for the silk velvet, a sampling of beads, buttons and silk ribbon. I am SO excited and hope some of you will join me!
For those of you unfamiliar with Gotham Quilts, it opened in 2014 and is located at 40 West 37th Street between 5th and 6th Avenues in the heart of Manhattan and just a block from the Garment District. Two friends, Andrea and Ivete, own and run it. Over the years they have expanded what began as a tiny shop on the second floor, to a multi level space, carrying a wonderfully curated selection of fabrics and notions as well as Bernina Sewing Machines. They are now open six days a week, everyday but Sunday, from 11 – 6, and on Thursdays until 7pm.
Gotham Quilts
I hope to see some of you there!
Have you checked out my latest YouTube video? My channel is: Ariane Zurcher – On the Other Hand where I give tutorials on all things involving stitching, sewing, design and creating. I will be doing videos that are for Left Handers, but others that are not hand specific. So join me, and stitch along!
Tutorial: How stitch the Pekinese Stitch
How to stitch The Coral Stitch with 2 (okay 3) variations!
Things have been busy around here. I had the idea to start a YouTube channel over a year ago. My thought was to go through Sue Spargo’s Creative Stitching book and demonstrate every stitch (but for left-handed stitchers) featured in her book, one stitch a week. I discussed my idea with Anna Bates, my friend over at Quilt Roadies, who encouraged me to go for it. But I knew I couldn’t do anything until I’d gotten Sue’s okay. Not only was she okay with my idea, but we then discussed launching YouTube channels together, each doing the same stitch on the same day, linking our channels to each other’s, and we even filmed a couple of episodes at her store in Ohio.
In Tucson where my YouTube idea first took root!
But life has a funny way of inserting itself into the best laid plans. Things happened, we had to delay the launch and then finally, last week, Sue told me to go ahead with my channel without her. For those of you who do not know Sue Spargo, she is one of the most hardworking, dedicated and talented artists I know. She has an extremely successful business, both brick and mortar, as well as online site over at Sue Spargo.com. She teaches all over the world, has a wildly popular Block of the Month club – this year she is doing TWO, one for those who desire something a little simpler and not quite as time consuming, and another, which features more advanced stitching. All of this is to say – everything she does, she does incredibly well.
Whew! Okay. So…
Last week I took a deep breath and took the plunge. I launched my YouTube channel. I knew it was going to be a fairly steep learning curve, but I hadn’t taken into account just how steep! I had to teach myself how to edit video on iMovie. Then I learned all about banner art and thumbnails, which required downloading a couple different apps (that I also then had to learn how to use.) I read all about how best to monetize your channel once you’ve reached 1,000 subscribers and a ton of watched hours. I then had to read about monetizing your blog, because if one is already monetized, it makes monetizing the other a lot easier. I watched hours and hours of YouTuber’s videos and finally my husband, Richard, who for years owned and ran a very successful ad agency, and I sat down and brainstormed. He came up with “On the Other Hand” for my channel, which is just so brilliant. Love that, and him. He also helped me design my YouTube banner. It looks pretty good, right?
My YouTube Banner
Finally, I began taping and, I’ll admit, feeling kind of old, because, while I would be far more comfortable keeping the camera zoomed in on the stitching, I also get that people want to see the person behind the hands. Looking at yourself during the editing process is a lesson in humility. Most of the up and coming YouTubers out there are young and beautiful and most definitely not almost sixty years old. Did I just say that? Yup. I did. I’ll be sixty in another six months. Pretty much clinging to these final months while still in my fifties. As in seriously white knuckling it… But it’s all relative. I know, twenty years from now, I’ll look back and think – Wow! I was so young.
Photo of hands stitching a Pekinese Stitch is far more preferable than a photo of myself
So yes, it’s ALL relative.
So that’s what I’ve been doing for the past week or so.
And the last one, uploaded Tuesday evening, is how to stitch the Pekinese Stitch.
The Pekinese Stitch (I had to delete the first one and redo the music as it had copyright issues! Learning… lots of learning…
All the videos are directed at left handed stitchers, because we left handers have to bush whack our way through most tutorials, figuring it out on our own. I have, in the past, come up with some very creative looking hand stitching that in no way resemble stitches in any embroidery book known to mankind. Yelp!
I also give tips on how to thread a needle, thimbles, which needles to use for which stitches, how to make a quilter’s knot and, as time goes on, I’ll discuss all kinds of other things as well. In my Pekinese Stitch Tutorial Merlin, our mischievous kitty, even makes an appearance, wreaking havoc with my attempts to stitch and teach! So watch and stitch along with me. Don’t forget to give a thumbs up, and subscribe because I’ll be posting at least once a week, and not just content for left handers, but for anyone who loves art, design, stitching and life! Hopefully there will be some laughter in there too. Laughter is good.
I love a good zippered pouch. Preferably one that I can take on an airplane, large enough for a tablet or small sketch book, a needle roll, small pair of scissors, and project, but not so large that it becomes cumbersome. I began looking around at what is already out there and found many lovely bags, but finally decided to design my own. It measures 12″ x 12″, has a slightly curved top with a tassel for the zipper pull.
Years ago my husband and I came upon this beautiful African Rhino and decided we had to have him. This became my inspiration for the design on the front of my bag.
As many of you know, I re-found hand stitching through Sue Spargo. I fell in love with the way she used traditional embroidery stitches, but used all kinds of different threads, to add another dimension to wool appliqué. I responded to the “folk art” style of her designs, but also to the layering she employs in her work. Using wool as her base, she then might layer another piece of wool, which is then layered with a smaller piece of silk velvet, cotton print, linen, cork, ribbon, beading, whatever best accents her design – the options are endless! That was five years ago…
Today, I’m honored to call Sue my friend. She gives me endless encouragement, suggestions, helpful tips, and is one of the kindest, most generous souls I’ve ever met. She also happens to be one of the hardest working women I know, is a smart business woman and runs a thriving brick and mortar store as well as online business at suespargo.com, all while teaching year round all over the country and world. If you haven’t taken a class with Sue, you are in for a treat. Sue is patient, helpful, encourages everyone to put their own personal touches onto their pieces, is incredibly talented, oozes creativity and did I mention how kind she is? Kind. Just incredibly kind.
So when I decided to design my own zippered pouch I immediately sent it off to Sue to get her okay. After all I’m using her techniques, her wools, her threads and never want to take credit for any of that. She, of course, being Sue, told me she loved it and so here it is, ready for others to make if they choose.
The Embellished Top
If you want to make this pouch yourself, you can purchase the pattern, templates and detailed instructions, including tons of step by step photographs to help you, as well as a list of materials you will need from my Etsy Site. I even added instructions for us lefties out there, so that our zipper will be on the opposite side! All the wool, fabric, and threads you need to make this pouch are on Sue Spargo’s website except maybe the zipper. It’s a one-stop shopping experience. And who doesn’t want a zippered, fully lined pouch!? Also – if you don’t want to make the wool Rhino top, you can use the pattern templates to make the whole thing out of cotton fabric or bark cloth or canvas or linen or whatever you like!
The Back of the Zippered Pouch
When I was designing my pouch, I first made it using all cotton fabrics and added Soft and Stable to the whole thing to give it more oomph. I swear that’s the technical word…
Zippered Pouch using all cotton fabric
I also re-designed the curve so it was gentler, with the added plus being it is easier to sew in the zipper, and I added fabric tabs to the ends of the zipper, which gives it a nice, clean finish.
Zipper Tab Close Up
Tell me what you think. Post your finished bag on Instagram and tag me and/or on Facebook. Don’t forget to tag me so I can applaud your efforts.
A couple years ago I was featured in Quilting Arts Magazine – the Year of the Rooster!
The piece I submitted, entitled Regal Rooster, was made of wool, cotton and silk velvet (that I dyed myself) using a variety of threads, but predominantly Eleganza Perle Cotton from Sue Spargo. She has the most luscious perle cotton threads in sizes 8, 5 and 3 as well as just about anything else one could want.
I designed the rooster with one of my sister’s roosters in mind. Though I must admit her roosters are mean, nasty, brutish fellows and can only be appreciated from afar. As in – where are my binoculars? (Sorry Sis.) However my rooster is kind and regal and very colorful. Here’s his head, since that’s the first to go… Oh stop it. Seriously, in my experience roosters in real life tend to be vicious creatures, but my fictitious guy is lovely. I swear.
To all the rooster lovers in the world, I apologize in advance for my biased characterization of them. I’m sure there are some really nice roosters out there, I’ve just never met them…
And here he is in all his colorful glory. I used Sue Spargo’s techniques of layering beginning with a wool base and then adding fabrics: cotton, velvet and silk ribbon before applying the wool Rooster body. Hand stitching using various threads and stitches came next and then I machine quilted the whole thing!
See the random seed stitches in the lower right corner? That’s where I inadvertently burned the silk ribbon with too hot an iron. I can tell you this now because no one noticed and why not admit to these tiny mishaps that inevitably occur in life?! They say we learn from our mistakes, and I’m hoping that’s actually true as a singed silk ribbon makes for a very unhappy stitcher, however stitching and gorgeous threads can cover up just about anything.
“Crafts” have occupied a large part of my life. I was fifteen years old when I knitted my first sweater. My mother taught me to knit when I was so young my fingers had trouble wrapping the yarn around them. I didn’t realize it then, but being left-handed certainly must have made it more difficult for me to learn, yet learn I did, and to this day I knit as a right handed person does. It was the beginning of a love affair. When I was in my twenties I had a brief moment when I was the editor of the “How To Knit” page in Elle Magazine.
Ariane Zurcher DesignsAriane Zurcher Designs Capelet and Sleeves
My mother also taught me to do embroidery and sewing, this was in the days when knitting and fabric shops were as abundant as Starbucks. It was a special occasion when my mother would drive me to San Francisco so we could visit Britex, which carried the most luxurious silks and fabrics from all over the world. When I moved to New York City there was a little knitting shop on Sixth Avenue in the village that had hand dyed and spun specialty yarns. They were out of my price range as I was a student on a budget, but I would wander into that shop and just smell the wool and gaze at the beautiful colors, coveting the skeins that hung like candy along the walls.
Emroidered Creche my mother & I made when I was a teenager.
My father, born and raised in Paris, used to do Petit Point, at least this is what he called it, though in fact I believe he was doing what in America we call needlepoint. It was my father who taught me how to do basket weave needle point so the back of the tapestry resembled a basket weave, and was not as prone to warping the fabric and lay flatter or so he insisted. He looked down upon those who did their needlepoint by going back and forth horizontally. I have a pillow he made for me with the letter A prominently displayed in the center, it’s tattered back and edges giving clues to how old it now is.
The Pillow my father made for me
When I came to New York City it was because I’d been accepted to Parsons School of Design. My love of fabrics, sewing, knitting and all things crafts-related propelled me into the world of fashion design. It was an uneasy alliance and ultimately one I could not reconcile. I learned early on that anything “Crafts” related was the sullied, unkept cousin to “high fashion.” Crafts were what housewives did, it wasn’t the sort of thing an “artist” indulged in. So the thing I loved most, creating things by hand, became the thing I felt ashamed of. The world of fashion and the designers whose work hung on exquisitely tall and impossibly thin models, exemplified all that I wasn’t. My love of crafts became something I began to hide and even reject. It was “woman’s work” and if I was ever to make a career for myself, it was best to put those “childish pursuits” behind me.
“Craft” has begun to get its well deserved recognition and I couldn’t be happier. It is no coincidence that female artists in general are generating more interest in museums and galleries. Women’s work finally elevated to more prominence in a male dominated world is as it should be. “Craft” and all that it encompasses is yet another way we have been taught to undermine, under value and even ridicule work done by, mostly, women. We have a lot further to go, but it is wonderful to see that beginning to change!
Above is one of the images my teenage daughter sent me saying that she wants to dye her hair pink. I don’t have a problem with that, except for the fact that her hair is already pretty fried from having gone platinum (like Gwen Stefani) for years, and only in the last year plus has she agreed to get highlights, (less damaging) instead of full on platinum. Even so, her hair is not in good shape, we just had to trim it again, and I worry that it will get even worse if she goes pink. So we discussed. And then we discussed more, and there was alot of disagreement, interrupted by watching You Tube videos of a number of young girls dying their hair various shades of pink and how they did it. Some were incredibly compelling and I wavered between thinking maybe I should dye my hair pink, to sternly telling myself this was an idea I would quickly regret and reminding myself to get back on track as this wasn’t about ME, this was about my daughter and how could I best support her without her doing something that might just destroy what was left of her hair. Not my body, not me, get out of the way…
Last night I barely slept. Because this is just the sort of thing that keeps me up at night. And yes, I was aware, at 2AM that I was incredibly fortunate to be thinking about my daughter’s hair color and not something actually serious. I even said a silent – thank you – to the great unknown. And then I remembered that when my son was my daughter’s age he went in for some serious ink and came home with a massive tattoo that he now wants to have removed. I didn’t love that tattoo, though I rather like a couple of the others that he got, but again, not my body, not me, get out of the way…
My job is to support my children, now almost adults. This is easier said than done, however. I figure it’s my job to give them good information so they can make, hopefully, great decisions. Unlike my own young adult self who made a series of questionable and even very, very bad decisions! (I will spend the remaining years of my life apologizing to my mother for what I put her through.) But mostly I need to not engage in anything that starts feeling like a power struggle, because, in the long run, I’m not going to win, and anyway it’s ultimately counter productive. Again, not my body, not about me, get out of the way…
All of this got me thinking about designing (see, I told you my thoughts ricochet like a pin ball during the wee hours of the night/morning) and how similar these kinds of challenges are when designing and stitching. Often when designing I begin with a sketch. Sometimes that sketch evolves, but other times it’s simply the starting point. I have to be willing to let go of the initial idea. Some ideas are definitely more bossy than others. I have to go with where the design leads me, sometimes down unexpected paths. But most of all, I have to get out of the way…
Below is a sketch of a bracelet idea I had using 18 Kt Gold and a variety of green colored gemstones.
Preliminary Sketch for Bracelet
That idea eventually turned into this 18 Kt Brushed Gold Bracelet with multi-colored Tourmaline.
18 Kt Brushed Gold & Tourmaline Bracelet
Below is my sketch for what would finally become my Cookies Delight Quilt. The Pattern for this has been written and I’m just waiting on a couple of things before releasing it as a PDF with detailed instructions on how to make and stitch it.
Cookies Delight Sketch
My Cookies Delight Quilt, using Sue Spargo’s wonderful techniques for layering and stitching, free motion quilted and bound!
Finished Quilt
This is the preliminary very rough sketch I did for the piece I’m currently working on, which was begun in a workshop I took a few weeks ago with Sue Spargo.
Landscape Sketch
This is where it’s going or maybe I should say leading me… I am definitely having to follow this one as it’s careening off the original path I’d set out on. We will see! But that’s also part of the fun – seeing where it goes and doing my best to follow.
Landscape Piece in Progress
I’ve convinced my daughter, for now, to get highlights (compromise) and we’ve bought a “pink conditioner” and will apply that this weekend! Who knows where this may lead?!
People often say to me things like – “You’re so patient” or “I could never do that, it’s so tedious.” What I want to tell them is that I am so NOT patient. I am incredibly impatient, so much so that as a child my impatience was something often commented on by others, not just my parents! I would like to report that I’ve made massive inroads with this since then, but the truth is, I tend towards impatience rather than the other way around. However life has a way of throwing things at you, and over the years I’ve had to dig deep to find ways to temper my impatience. One of those ways, ironically, is through stitching.
Stitching is like meditation. It calms my mind, gets me out of myself and my often whirlwind thoughts that can ricochet from one crises to the next if left untended. Tending to my ragged nervous system requires vigilance and a whole series of things that I must do each day so that I have a chance at making sane, calm choices. Stitching is something I must do. It doesn’t feel like an option. It feels like a necessity. I must have material, needle and thread in hand or I feel off, the day is destined to be more difficult, life’s problems feel more acute, small problems take on a razor sharp edge, things begin to feel increasingly chaotic and impossible. Stitching gives me some semblance of order, a feeling of being a part of something much larger; a feeling that I am part of something inexplicable and unknown.
As I design and look at each shape, consider which thread to use, what stitch will best compliment that shape, those colors, that idea – it feels like I am inserting a little beauty into the day. And so this is how I cope. This is how, when everything feels impossible, when I am overwhelmed by life, through stitching I feel some semblance of calm in the midst of, what otherwise feels like, a tsunami.
Bullion Knots, Picot, Running Stitch, Backstitch & Beaded Backstitch on Wool & VelvetBullion Knot, French Knot, Backstitch, Running Stitch on Wool, Cotton & Dupioni Silk
I am left-handed. While only about 10% of the population is left-handed, there are a great many who work in the arts. I don’t know that a greater percentage of artists are left handed than in the regular population, but I do know that we lefties have had to come up with a great many work arounds to accommodate our left handedness in a world set up for right handed people. I am also left eared, left footed and left eyed, meaning that I am able to hear, see and kick better with my left side. Also, weirdly and this may border on TMI, when I was nursing my two children, then babies, it was my left breast that filled with milk far more readily than my right.
Moving right along…
When I found the artist Sue Spargo and began learning the stitches she uses in her work, I found it challenging. There were certain stitches that no matter how much I tried, mine didn’t look the way hers did. The Pekinese Stitch is an example of that. I remember doing her Fresh Cut Block of the Month and she used that stitch on one of her flower stems. I kept trying to replicate what she was doing, following her instructions, as laid out in her book Creative Stitching, but somehow my Pekinese Stitch looked all wrong. Finally, when I was with Sue I showed her what I was doing and she said, “Oh, but you’re doing it as though you were right handed, but with your left hand!” Then she showed me how to do it left handed. It was a game changer! (I have since taught myself how to do this stitch using either my right or left hand.)
The Pekinese Stitch using my right hand (on purple wool) and left hand (on green wool)
I’ve encountered similar issues when trying to learn how to needle turn appliqué, sew on a sewing machine, put a zipper in, buttons, and any number of other things that I’ve attempted over the years.
In the coming months I am collaborating with my favorite artist on a You Tube project that we think will help us lefties in the world! Stay tuned.
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